James Cameron

James Cameron
James Francis Cameronis a Canadian filmmaker, director, producer, screenwriter, inventor, engineer, philanthropist, and deep-sea explorer. He first found major success with the science fiction action film The Terminator. He then became a popular Hollywood director and was hired to write and direct Aliens; three years later he followed up with The Abyss...
NationalityAmerican
ProfessionDirector
Date of Birth16 August 1954
CityKapuskasing, Canada
CountryUnited States of America
I'm a curious guy. I can't turn away from an investigative story, when it comes to the forensic analysis. I've done 33 dives, to the titanic wreck site. I've spent over 50 hours piloting robotic vehicles at that wreck trying to piece together what happened during the disaster. How the ship broke up, comparing the historical record with the forensic record. Documentaries are kind of my new life. I love documentary filmmaking.
With ‘Avatar,’ I thought, Forget all these chick flicks and do a classic guys’ adventure movie, something in the Edgar Rice Burroughs mold, like John Carter of Mars—a soldier goes to Mars,
I actually started as a model builder and quickly progressed into production design, which made sense because I could draw and paint. But I kept watching that guy over there who was moving the actors around and setting up the shots.
People think that what I see diving must drive what I put into films, but that isn't really the case. When I am making a Hollywood production, I am telling a different kind of story. Of course, if I see something interesting that works, we will look at it, but they are different things.
Bill has come down to Hollywood to make this announcement, and that is a first,
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I don't use film cameras. I don't do visual effects the same way. We don't use miniature models; it's all CG now, creating worlds in CG. It's a completely different toolset. But the rules of storytelling are the same.
Building upon the world we created with 'Avatar' has been a rare and incredibly rewarding experience. In writing the new films, I've come to realize that 'Avatar's world, story and characters have become even richer than I anticipated, and it became apparent that two films would not be enough to capture everything I wanted to put on screen.
I felt it was kind of a snub, not of the film per se, but of all the other people who did care and had sweated blood for the movie.
We've been discussing already an 'Aliens' attraction and there's a discussion of a 'Titanic' attraction, what I call the 'Titanic' restaurant-slash-near-death experience.
It's a relatively new phenomenon... (Investors) want to invest in clean energy, but want to extract a little more value from dirty energy first. They will get there.
It was good training to think spatially and to think in terms of story boarding and so on. So I was already a filmmaker but I hadn't realized it yet.
Targets and timetables do matter. But there is a dispirited feeling that the U.S. just rejects multilateral target-setting for the time being.
It just shows a total disregard and disrespect for wild animals.