James Cameron

James Cameron
James Francis Cameronis a Canadian filmmaker, director, producer, screenwriter, inventor, engineer, philanthropist, and deep-sea explorer. He first found major success with the science fiction action film The Terminator. He then became a popular Hollywood director and was hired to write and direct Aliens; three years later he followed up with The Abyss...
NationalityAmerican
ProfessionDirector
Date of Birth16 August 1954
CityKapuskasing, Canada
CountryUnited States of America
Building upon the world we created with 'Avatar' has been a rare and incredibly rewarding experience. In writing the new films, I've come to realize that 'Avatar's world, story and characters have become even richer than I anticipated, and it became apparent that two films would not be enough to capture everything I wanted to put on screen.
I tend to like strong female characters. It just interests me dramatically. A strong male character isn't interesting because it has been done and it's so cliched. A weak male character is interesting: somebody else hasn't done it a hundred times. A strong female character is still interesting to me because it hasn't been done all that much, finding the balance of femininity and strength. [From a 1986 Fangoria interview]
I don't feel that I'm making movies for iPhones. If someone wants to watch movie on an iPhone, I'm not going to stop them, especially if they're paying for it, but I don't recommend it. I think it's dumb, when you have characters that are so small in the frame that they're not visible. I'm trying to make an epic.
Action is a way of externalizing an emotional state. You might not be running, leaping, climbing and doing all that. But, the way you create that emotional state in a movie is by having the characters have physical jeopardy that they have to work against.
Getting the audience to cry for the Terminator at the end of T2, for me that was the whole purpose of making that film. If you can get the audience to feel emotion for a character that in the previous film you despised utterly and were terrified by, then that's a cinematic arc.
In writing the new films, I’ve come to realize that AVATAR’s world, story and characters have become even richer than I anticipated, and it became apparent that two films would not be enough to capture everything I wanted to put on screen.
People think that what I see diving must drive what I put into films, but that isn't really the case. When I am making a Hollywood production, I am telling a different kind of story. Of course, if I see something interesting that works, we will look at it, but they are different things.
Bill has come down to Hollywood to make this announcement, and that is a first,
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I don't use film cameras. I don't do visual effects the same way. We don't use miniature models; it's all CG now, creating worlds in CG. It's a completely different toolset. But the rules of storytelling are the same.
I felt it was kind of a snub, not of the film per se, but of all the other people who did care and had sweated blood for the movie.
We've been discussing already an 'Aliens' attraction and there's a discussion of a 'Titanic' attraction, what I call the 'Titanic' restaurant-slash-near-death experience.
It's a relatively new phenomenon... (Investors) want to invest in clean energy, but want to extract a little more value from dirty energy first. They will get there.
It was good training to think spatially and to think in terms of story boarding and so on. So I was already a filmmaker but I hadn't realized it yet.