Ira Glass
Ira Glass
Ira Jeffrey Glassis an American public radio personality and the host and producer of the radio and television show This American Life...
NationalityAmerican
ProfessionRadio Host
Date of Birth3 March 1959
CityBaltimore, MD
CountryUnited States of America
design gifted gives imitating incredibly learning structure unless work
When you're learning, especially to write, unless you're some incredibly gifted writer, a young Malcom Gladwell, say, you need to be imitating people. You need to be imitating how they make their work, how they structure it, how they design the pieces. It gives you chops; it gives you moves.
booth compelling forms found invented oldest street structure telling washington
There is a kind of structure for a story that was peculiarly compelling for the radio. I thought I had invented it atom-by-atom sitting in an editing booth in Washington on M Street when I was in my 20s. Then I found out that it is one of the oldest forms of telling a story - it was the structure of a sermon.
mean performing saying though utter
You get into this situation, performing for T.V., where you have to speak with utter sincerity. It's just like the radio. You have to say it like you mean it, even though the thing you're saying is actually planned out.
america attention country culture current expect idealism informed interested level older people somebody step totally touch utterly vision
Her vision of what the country is, and what she should be writing about, is totally her own. She's utterly in step with the current moment, ... She's in touch with contemporary culture and the things people in their 20s are interested in, but it's all informed with a level of attention and idealism about America as a place you would expect from somebody much older and tweedier.
time watch
I didn't watch T.V. from the time I was 18 'til my mid-30s. And then I got a T.V. to watch 'The Sopranos.' I realized, 'Oh, T.V. is really interesting.'
generally movies shows symbolism
I hate dream sequences in movies and T.V. shows generally for their heavy-handed symbolism and storytelling tediousness.
comics craft crowd free front knows retail somebody stuff success totally work
At some point, all comics have to go out and be retail salesmen doing door-to-door. And this idea of somebody who totally knows their craft having to get up for free in front of a crowd to work out some stuff they're thinking in their head, still, after as much success as you can get, is really interesting.
host life people reactions
When I started 'This American Life', one of the reactions I got was, 'When is the adult going to show up who will host the show?' At some point, people just got used to it.
entire feeling flavor good reminds time
'Smallville' is like a Domino's pizza. While you're eating, you're thinking, 'This is good, and it reminds me of pizza, but there's not enough flavor in each bite.' That's the feeling you have the entire time with 'Smallville' - that it's just about to be good, but it never is.
generate narrative quickly scenes stories telling trying works
I'm trying to make perfect moments. And those generate meaning. If you go deep enough in how to make a moment, very quickly you come to how narrative works - to what we are as a species, how we've come up with telling stories in scenes and images.
almost believe call dessert detective fiction people pleasure rare
It's rare for me to read any fiction. I almost only read nonfiction. I don't believe in guilty pleasures, I only believe in pleasures. People who call reading detective fiction or eating dessert a guilty pleasure make me want to puke.
presence
There is a feeling, when you listen to radio, that it's one person, and they're talking to you, and you really feel their presence as one person.
somebody telling
If you want somebody to tell you a story, one of the most easiest and effective ways is if you're telling them a story.
I don't read novels, but my semiotics study influenced everything about the way I read and edit and write.