Ira Glass

Ira Glass
Ira Jeffrey Glassis an American public radio personality and the host and producer of the radio and television show This American Life...
NationalityAmerican
ProfessionRadio Host
Date of Birth3 March 1959
CityBaltimore, MD
CountryUnited States of America
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I think one of the reasons that I got so good at it, as somebody making radio stories, is that on the radio I can actually - I can understand what's happening in the interview and can make a connection in a way that makes sense.
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Starting in the 1970s, American cars started to lose market share to foreign cars. It was clear what was happening - these better-made foreign car companies were encroaching on the U.S., and the U.S. car makers had less than half of their own country's market.
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One of the things I learned as a young semiotics nerd was that if you have plot moving forward, no matter how banal the facts of it, simply the fact that the plot is rolling forward makes you wonder what's going to happen next, which creates suspense. So you can control peoples' attention simply by having things move forward in a story.
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Any journalist who doesn't stick to the day's news is sort of part journalist, part anthropologist. Once the excuse for the story stops being - it happened today - then you're square right in the other territory of journalism, which is just straight up documenting of how we live, and what we think of each other.
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For most people when you say - public radio - they automatically think it's like medicine. We only do stories that amuse and interest us. For people who haven't heard the show, we describe it like a movie where there are characters and you're interested in what's going to happen to them.
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You get into this situation, performing for T.V., where you have to speak with utter sincerity. It's just like the radio. You have to say it like you mean it, even though the thing you're saying is actually planned out.
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Her vision of what the country is, and what she should be writing about, is totally her own. She's utterly in step with the current moment, ... She's in touch with contemporary culture and the things people in their 20s are interested in, but it's all informed with a level of attention and idealism about America as a place you would expect from somebody much older and tweedier.
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I didn't watch T.V. from the time I was 18 'til my mid-30s. And then I got a T.V. to watch 'The Sopranos.' I realized, 'Oh, T.V. is really interesting.'
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I hate dream sequences in movies and T.V. shows generally for their heavy-handed symbolism and storytelling tediousness.
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At some point, all comics have to go out and be retail salesmen doing door-to-door. And this idea of somebody who totally knows their craft having to get up for free in front of a crowd to work out some stuff they're thinking in their head, still, after as much success as you can get, is really interesting.
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When I started 'This American Life', one of the reactions I got was, 'When is the adult going to show up who will host the show?' At some point, people just got used to it.
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'Smallville' is like a Domino's pizza. While you're eating, you're thinking, 'This is good, and it reminds me of pizza, but there's not enough flavor in each bite.' That's the feeling you have the entire time with 'Smallville' - that it's just about to be good, but it never is.
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I'm trying to make perfect moments. And those generate meaning. If you go deep enough in how to make a moment, very quickly you come to how narrative works - to what we are as a species, how we've come up with telling stories in scenes and images.
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It's rare for me to read any fiction. I almost only read nonfiction. I don't believe in guilty pleasures, I only believe in pleasures. People who call reading detective fiction or eating dessert a guilty pleasure make me want to puke.