Holly Black

Holly Black
Holly Black née Riggenbachis an American writer and editor best known for The Spiderwick Chronicles, a series of children's fantasy books she created with writer and illustrator Tony DiTerlizzi, and a trilogy of Young Adult novels officially called the Modern Faerie Tales trilogy. Her 2013 novel Doll Bones was named a Newbery Medal honor book...
NationalityAmerican
ProfessionChildren's Author
Date of Birth10 November 1971
CityWest Long Branch, NJ
CountryUnited States of America
There’s something about her—Cassel, I have met many evil men and women in my life. I have made deals with them, drank with them. I have done things that I myself have difficulty reconciling—terrible things. But I have never known anyone like your mother. She is a person without limits—or if she has any, she hasn’t found them yet. She never needs to reconcile anything.
She suddenly understood why she had let him kiss her in the diner, why she had wanted him at all. She wanted to control him. He was every arrogant boyfriend that had treated her mother badly. He was every boy that told her she was too freaky, who had laughed at her, or just wanted her to shut up and make out. He was a thousand times less real than Roiben.
Greg stands up, wiping his mouth. "I saw your mother's trial in the paper, Sharpe. I know you're just like her." "If I was, I would make you beg to blow me," I sneer.
Someone could cut through the mess in our house and look at it like one might look at rings on a tree or layers of sediment. They'd find the black-and-white hairs of a dog we had when I was six, the acid-washed jeans my mother once wore, the seven blood-soaked pillowcases from the time I skinned my knee. All our family secrets rest in endless piles.
There's never really been a time when vampires weren't so over that you would be crazy to write a vampire book, or so huge that you would be crazy to write a vampire book. I'm not sure there's ever going to be a time. We went from Anne Rice to Buffy to 'Twilight.'
One of the great things about writing middle-grade books is that it's really a nice break, when you're writing super intense stuff like 'Coldtown', to be able to write something a little lighter - calm down and do something different.
One of my favorite things in books is watching someone make the mistake. You know it's going to happen. You keep thinking: 'Don't do it!' But of course they're going to do it. It's riveting. You learn through them that it's okay. It's the ecstatic fall, where you watch someone make that terrible decision, and there's such pleasure in it.
Someday I would like to be the kind of writer who barrels through a draft, but I can't even seem to barrel through an interview like this, so I imagine I have a long way to go.
What I've always loved about faeries is the way that they, unlike so many other supernatural creatures, are not human and have never been human. They have different customs and different taboos, and woe to anyone who breaks them.
When we talk about good books, we often talk about good sentences, but what we rarely talk about is reader pleasure. Yet it is reader pleasure that is going to make a book break out into the kind of success that makes it into a household name.
When I was a kid in the U.S., 'Doctor Who' wasn't really on, but you would occasionally catch an episode. Different stations did marathons.
You are the only thing I have that is neither duty nor obligation, the only thing I chose for myself. The only thing I want.
Clever girl. You play with fire because you want to be burnt.
In the older folklore, faeries were frightening beings. In fact, it was such a bad idea to get their attention that people would use flattering euphemisms for them, such as 'the people of peace,' 'the little people,' and 'the good neighbors.'