Holly Black

Holly Black
Holly Black née Riggenbachis an American writer and editor best known for The Spiderwick Chronicles, a series of children's fantasy books she created with writer and illustrator Tony DiTerlizzi, and a trilogy of Young Adult novels officially called the Modern Faerie Tales trilogy. Her 2013 novel Doll Bones was named a Newbery Medal honor book...
NationalityAmerican
ProfessionChildren's Author
Date of Birth10 November 1971
CityWest Long Branch, NJ
CountryUnited States of America
Occasionally, there are battles in the sky. One likes to imagine the angels are always triumphant. One does not like to think of the ancient and terrible scales balancing the infernal and divine as wobbling back and forth. Tilting freely, to and fro. One does not like to think that sometimes it is the angel that falls.
Girls like her, my grandfather once warned me, girls like her turn into women with eyes like bullet holes and mouths made of knives. They are always restless. They are always hungry. They are bad news. They will drink you down like a shot of whisky. Falling in love with them is like falling down a flight of stairs. What no one told me, with all those warnings, is that even after you’ve fallen, even after you know how painful it is, you’d still get in line to do it again.
She wears trouble like a crown. If she ever falls in love, she’ll fall like a comet, burning the sky as she goes.
As the last Seelie left the hall, Roiben, self-declared King of the Unseelie Court, nearly fell into his throne. Kaye tried to smile at him, but he was not looking at her. He was staring out across the brugh with eyes the color of falling ash. Corny had not stopped laughing.
You got a lot of ladies to get through. You’re still young. First love’s the sweetest, but it doesn’t last.” “Not ever?” I ask. Grandad looks at me with a seriousness he reserves for moments when he wants me to really pay attention. “When we fall that first time, we’re not really in love with the girl. We’re in love with being in love. We’ve got no idea what she’s really about—or what she’s capable of. We’re in love with our idea of her and of who we become around her. We’re idiots.
Holly: Seriously, you don't like unicorns? What kind person doesn't like unicorns? Justine: What kind of a person doesn't like zombies? What have zombies ever done to you? Holly: Zombies shamble. I disapprove of shambling. And they have bits that fall off. You never see a unicorn behaving that way. Justine: I shamble. Bits fall off me all the time: hair, skin cells. Are you saying you disapprove of me?
Okay. how about that time when you smoked all that weed that you thought was laced with something? You fell into the tub, but you refused to get out because you were convinced that the back of your head was going to fall off? "That third story happened to a guy named Jace in my dorm. Me and Sam and another guy in our hall took turns reading "Paradise Lost" through the locked door. I think it made him more paranoid, though." "That's not true," he says. "Well, he *seemed* more paranoid to me," I say. "And he still gets a little weired out when any one mentions angels.
There's never really been a time when vampires weren't so over that you would be crazy to write a vampire book, or so huge that you would be crazy to write a vampire book. I'm not sure there's ever going to be a time. We went from Anne Rice to Buffy to 'Twilight.'
One of the great things about writing middle-grade books is that it's really a nice break, when you're writing super intense stuff like 'Coldtown', to be able to write something a little lighter - calm down and do something different.
One of my favorite things in books is watching someone make the mistake. You know it's going to happen. You keep thinking: 'Don't do it!' But of course they're going to do it. It's riveting. You learn through them that it's okay. It's the ecstatic fall, where you watch someone make that terrible decision, and there's such pleasure in it.
Someday I would like to be the kind of writer who barrels through a draft, but I can't even seem to barrel through an interview like this, so I imagine I have a long way to go.
What I've always loved about faeries is the way that they, unlike so many other supernatural creatures, are not human and have never been human. They have different customs and different taboos, and woe to anyone who breaks them.
When we talk about good books, we often talk about good sentences, but what we rarely talk about is reader pleasure. Yet it is reader pleasure that is going to make a book break out into the kind of success that makes it into a household name.
When I was a kid in the U.S., 'Doctor Who' wasn't really on, but you would occasionally catch an episode. Different stations did marathons.