Herbie Hancock
Herbie Hancock
Herbert Jeffrey "Herbie" Hancockis an American pianist, keyboardist, bandleader, composer and actor. Starting his career with Donald Byrd, he shortly thereafter joined the Miles Davis Quintet where Hancock helped to redefine the role of a jazz rhythm section and was one of the primary architects of the post-bop sound. He was one of the first jazz musicians to embrace synthesizers and funk music. Hancock's music is often melodic and accessible; he has had many songs "cross over" and achieved success...
NationalityAmerican
ProfessionPianist
Date of Birth12 April 1940
CityChicago, IL
CountryUnited States of America
The thing is, much of the way I look at music now, and its role as an aspect of culture, and creative expression for human beings in the 21st century, much of the way I look at it for a record like Future 2 Future is very similar to how I might look at it for a record like Directions in Music.
People put you on a pedestal when you become famous, in their eyes, or if they really respect your work, they might put you on a pedestal, but I didn't get that as a kid.
It might have been somewhat derivative otherwise, and I'm not the kind of person who's satisfied with being derivative.
I like to present something that the people haven't seen or haven't heard before. Otherwise they might as well just stay home and play the record.
When the suggestion was made that I might consider doing music of Joni Mitchell, I thought it was a fantastic idea. Joni, I admire not only for her music but for her person, because she's a person that really stands out for what she believes in.
I feel a lot more secure about the directions I take, than I might have, had I not practiced Buddhism.
It might be something as simple as saying the right word to the right person at the right time-and that could change the course of history. You never really know. But the whole thing is to work at the process of being in sync with the universe, so that everything will align at the proper time so that you can deliver that which is your life mission. And that's why we're here as individuals. And then there's our contribution to the collective. It makes a lot of sense, doesn't it?
I mean, nobody has a statement on their record.
I knew of jazz, but I didn't like it. I always thought only older people liked jazz - you know, you had to be 19 or 20.
I'm looking less to musical sources for inspiration and broadening my scope beyond the entertainment field and looking more into life itself. Life today.
I'm looking at other sources for inspiration; feelings and developments that are happening in human life itself.
Still, when I finally left Miles in '68 and got my own band, it was a logical step; because anybody that left Miles always had their own band.
There was a radio station in Chicago, there was a guy named Al Benson, and he pretty much dominated black radio in the '50s.
Not too many people my age really zeroed in on the blues. Most of the people that listened to it were older than teenagers.