Herbie Hancock
Herbie Hancock
Herbert Jeffrey "Herbie" Hancockis an American pianist, keyboardist, bandleader, composer and actor. Starting his career with Donald Byrd, he shortly thereafter joined the Miles Davis Quintet where Hancock helped to redefine the role of a jazz rhythm section and was one of the primary architects of the post-bop sound. He was one of the first jazz musicians to embrace synthesizers and funk music. Hancock's music is often melodic and accessible; he has had many songs "cross over" and achieved success...
NationalityAmerican
ProfessionPianist
Date of Birth12 April 1940
CityChicago, IL
CountryUnited States of America
But I'm talking about responsibility, a sense of responsibility. Developing software to help human beings develop more of a sense of responsibility. Kids need that. Adults need it too. More self worth. More self-respect.
Fact is that I played piano and performed, as a young kid, a Mozart piano concerto with the Chicago Symphony Orchestra . Don't forget I was only eleven-years-old and to be on the stage at that age had tremendous impact on me. Basically love for classical music and performing as a kid on the big stage probably led toward this decision, which meant that music is going to be my big love but also my profession.
I've been curious ever since I was a little kid.
I mean, nobody has a statement on their record.
I knew of jazz, but I didn't like it. I always thought only older people liked jazz - you know, you had to be 19 or 20.
I'm looking less to musical sources for inspiration and broadening my scope beyond the entertainment field and looking more into life itself. Life today.
I'm looking at other sources for inspiration; feelings and developments that are happening in human life itself.
Still, when I finally left Miles in '68 and got my own band, it was a logical step; because anybody that left Miles always had their own band.
There was a radio station in Chicago, there was a guy named Al Benson, and he pretty much dominated black radio in the '50s.
The thing is, much of the way I look at music now, and its role as an aspect of culture, and creative expression for human beings in the 21st century, much of the way I look at it for a record like Future 2 Future is very similar to how I might look at it for a record like Directions in Music.
Not too many people my age really zeroed in on the blues. Most of the people that listened to it were older than teenagers.
I just wish more attention could be placed on the human being.
I hope to still be making records, but still traveling and touring, I don't know to the extent that I am now, because it's pretty wearing on your physical energy.
I hope to do more movie scores, I hope to do more work in the orchestral setting, some more tours that are more in the line that classical musicians play.