Herbie Hancock
Herbie Hancock
Herbert Jeffrey "Herbie" Hancockis an American pianist, keyboardist, bandleader, composer and actor. Starting his career with Donald Byrd, he shortly thereafter joined the Miles Davis Quintet where Hancock helped to redefine the role of a jazz rhythm section and was one of the primary architects of the post-bop sound. He was one of the first jazz musicians to embrace synthesizers and funk music. Hancock's music is often melodic and accessible; he has had many songs "cross over" and achieved success...
NationalityAmerican
ProfessionPianist
Date of Birth12 April 1940
CityChicago, IL
CountryUnited States of America
My hope is that the music will serve as a metaphor for the actions taken by the inhabitants of this wonderful planet as a call for world harmony on all levels.
One of the most important functions of jazz has been to encourage a hope for freedom, for people living in situations of intolerance or struggle.
I always hope that as a performer I'm able to come out with something that not only makes people feel inspired but even beyond that, I always hope that what happens on the stage makes people feel like they can do it.
I hope to still be making records, but still traveling and touring, I don't know to the extent that I am now, because it's pretty wearing on your physical energy.
I hope to do more movie scores, I hope to do more work in the orchestral setting, some more tours that are more in the line that classical musicians play.
We were listening to a lot of different people, but we were listening to a lot of real innovators, and we were full of ideas.
I've started something called the Rhythm of Life Foundation to encourage the technological community to develop ideas and software that directly effect the advancement of humanity.
I started playing piano when I was 7. And I started with classical lessons. Then I really got exposed to jazz.
Things that happen to you are events. It's what you do with them that determine whether they're going to be problems or solutions.
Things like creating in the moment, being in the moment, trusting your instincts, not being afraid to go outside the comfort zone.
And you allow yourself to play off that plane. You're in this dark room of unknowns, you allow yourself to go there.
Another convention is that the drummer and bass player are timekeepers, but there's no reason they have to be bound to that.
Even during the major avant-garde period of jazz in the late '60s and early '70s, the songs usually had melodies, some harmonic starting-off point, or something to unify a particular piece in the beginning.
First of all I should explain that synthesizers themselves, I don't consider them instruments, they are instrument makers, because you can program them to be whatever sound you want.