Herbie Hancock
Herbie Hancock
Herbert Jeffrey "Herbie" Hancockis an American pianist, keyboardist, bandleader, composer and actor. Starting his career with Donald Byrd, he shortly thereafter joined the Miles Davis Quintet where Hancock helped to redefine the role of a jazz rhythm section and was one of the primary architects of the post-bop sound. He was one of the first jazz musicians to embrace synthesizers and funk music. Hancock's music is often melodic and accessible; he has had many songs "cross over" and achieved success...
NationalityAmerican
ProfessionPianist
Date of Birth12 April 1940
CityChicago, IL
CountryUnited States of America
We wanted to share creativity and didn't want to be bound by traditional jazz conventions.
The one thing that we should stick to is to figure out how to become better human beings, but in order to do that we have to go to the second level which is to work on defining the palette of what a better human being is made of, and creativity is one of them.
My idea is that young people who are not as jaded about technology and the use of technology as we are, who didn't create the technological age, but are born into it, may be able to create software that addresses the issues that pertain to the human being and lead toward the advancement of creativity and the human spirit.
Wisdom is on a higher plane, and as human beings, it's part of our 'being-ness' to have the capacity to manifest wisdom through creativity.
Creativity shouldn't be following radio; it should be the other way around.
Creativity and artistic endeavors have a mission that goes far beyond just making music for the sake of music.
A great teacher is one who realizes that he himself is also a student and whose goal is not dictate the answers, but to stimulate his students' creativity enough so that they go out and find the answers themselves.
The arts have always served relationships between people of different cultures so well. In a way, the arts function as a very serious kind of ambassador.
I mean, nobody has a statement on their record.
I knew of jazz, but I didn't like it. I always thought only older people liked jazz - you know, you had to be 19 or 20.
I'm looking less to musical sources for inspiration and broadening my scope beyond the entertainment field and looking more into life itself. Life today.
I'm looking at other sources for inspiration; feelings and developments that are happening in human life itself.
Still, when I finally left Miles in '68 and got my own band, it was a logical step; because anybody that left Miles always had their own band.
There was a radio station in Chicago, there was a guy named Al Benson, and he pretty much dominated black radio in the '50s.