Henry Miller
Henry Miller
Henry Valentine Millerwas an American writer. He was known for breaking with existing literary forms, developing a new sort of semi-autobiographical novel that blended character study, social criticism, philosophical reflection, explicit language, sex, surrealist free association and mysticism. His most characteristic works of this kind are Tropic of Cancer, Black Spring, Tropic of Capricornand The Rosy Crucifixion trilogy, all of which are based on his experiences in New York and Paris, and all of which were banned in the United...
NationalityAmerican
ProfessionAutobiographer
Date of Birth26 December 1891
CityNew York City, NY
CountryUnited States of America
I took care of my wheel as one would look after a Rolls Royce. If it needed repairs I always brought it to the same shop on Myrtle Avenue run by a negro named Ed Perry. He handled the bike with kid gloves, you might say. He would always see to it that neither front nor back wheel wobbled. Often he would do a job for me without pay, because, as he put it, he never saw a man so in love with his bike as I was.
When I reflect that the task which the artist implicitly sets himself is to overthrow existing values, to make of the chaos about him an order which is his own, to sow strife and ferment so that by the emotional release those who are dead may be restored to life, then it is that I run with joy to the great and imperfect ones, their confusion nourishes me, their stuttering is like divine music to my ears.
She may be lying in bed reading a book, she may be making love with a prize fighter, or she may be running like mad through a field of stubble, one shoe one, one shoe off, a man named Corn Cob pursuing her hotly. Wherever she is I am standing in complete darkness; her absence blots me out.
The world isn't kept running because it's a paying proposition. (God doesn't make a cent on the deal.) The world goes on because a few men in every generation believe in it utterly, accept it unquestioningly; they underwrite it with their lives.
I too love everything that flows: rivers, sewers, lava, semen, blood, bile, words, sentences. I love the amniotic fluid when it spills out of the bag. I love the kidney with it’s painful gall-stones, it’s gravel and what-not; I love the urine that pours out scalding and the clap that runs endlessly; I love the words of hysterics and the sentences that flow on like dysentery and mirror all the sick images of the soul...
Side by side with the human race there runs another race of beings, the inhuman ones, the race of artists who, goaded by unknown impulses, take the lifeless mass of humanity and by the fever and ferment with which they imbue it turn this soggy dough into bread and the bread into wine and the wine into song.
I wanted to feel the blood running back into my veins, even at the cost of annihilation. I wanted to shake the stone and light out of my system. I wanted the dark fecundity of nature, the deep well of the womb, silence, or else the lapping of the black waters of death. I wanted to be that night which the remorseless eye illuminated, a night diapered with stars and trailing comets. To be of night so frighteningly silent, so utterly incomprehensible and eloquent at the same time. Never more to speak or to listen or to think.
Everything we shut our eyes to, everything we run away from, everything we deny, denigrate, or despise, serves to defeat us in the end.
In this age, which believes that there is a short cut to everything, the greatest lesson to be learned is that the most difficult way is, in the long run, the easiest.
The prisoner is not the one who has committed a crime, but the one who clings to his crime and lives it over and over.
We create our fate every day we live
Big Sur is the California that men dreamed of years ago, this is the Pacific that Balboa looked at from the Peak of Darien, this is the face of the earth as the Creator intended it to look
Every day we slaughter our finest impulses. That is why we get a heart-ache when we read those lines written by the hand of a master and recognize them as our own, as the tender shoots which we stifled because we lacked the faith to believe in our own powers, our own criterion of truth and beauty.
Confusion is a word we have invented for an order which is not yet understood