Henry Miller
Henry Miller
Henry Valentine Millerwas an American writer. He was known for breaking with existing literary forms, developing a new sort of semi-autobiographical novel that blended character study, social criticism, philosophical reflection, explicit language, sex, surrealist free association and mysticism. His most characteristic works of this kind are Tropic of Cancer, Black Spring, Tropic of Capricornand The Rosy Crucifixion trilogy, all of which are based on his experiences in New York and Paris, and all of which were banned in the United...
NationalityAmerican
ProfessionAutobiographer
Date of Birth26 December 1891
CityNew York City, NY
CountryUnited States of America
I feel that America is essentially against the artist, that the enemy of America is the artist, because he stands for individuality and creativeness, and that's un-American somehow.
For the artist to attach himself to his work, or identify himself with it, is suicidal.
Art is only a means to life, the life more abundant. It merely points the way.
The dreamer whose dreams are non-utilitarian has no place in this world. In this world the poet is anathema, the thinker a fool, the artist an escapist, the man of vision a criminal.
I didn't dare to think of anything then except the "facts." To get beneath the facts I would have had to be an artist, and one doesn't become an artist overnight. First you have to be crushed, to have your conflicting points of view annihilated. You have to be wiped out as a human being in order to be born again an individual. You have to be carbonized and mineralized in order to work upwards from the last common denominator of the self. You have to get beyond pity in order to feel from the very roots of your being.
I demanded a realm in which I should be both master and slave at the same time: The world of art is the only such realm.
We're creators by permission, by grace as it were. No one creates alone, of and by himself. An artist is an instrument that registers something already existent, something which belongs to the whole world, and which, if he is an artist, he is compelled to give back to the world.
When I reflect that the task which the artist implicitly sets himself is to overthrow existing values, to make of the chaos about him an order which is his own, to sow strife and ferment so that by the emotional release those who are dead may be restored to life, then it is that I run with joy to the great and imperfect ones, their confusion nourishes me, their stuttering is like divine music to my ears.
To make living itself an art, that is the goal.
Men are not suffering from the lack of good literature, good art, good theatre, good music, but from that which has made it impossible for these to become manifest. In short, they are suffering from the silent shameful conspiracy (the more shameful since it is unacknowledged) which has bound them together as enemies of art and artists.
This is not a book in the ordinary sense of the word. No, this is a prolonged insult, a gob of spit in the face of art, a kick in the pants to God, Man, Destiny, Time, Love, Beauty... what you will.
What is an artist? He's a man who has antennae, who knows how to hook up to the currents which are in atmosphere, in the cosmos.
The poem is the dream made flesh, in a two-fold sense: as work of art, and as life, which is a work of art.
The practice of any art demands more than 'mere savoir faire'. One must not only be in love with what one does, one must also know how to make love. In love self is obliterated. Only the beloved counts.