Henri Cartier-Bresson
Henri Cartier-Bresson
Henri Cartier-Bressonwas a French humanist photographer considered the master of candid photography, and an early user of 35 mm film. He helped develop street photography, and approvingly cited a notion of the inevitability of a decisive moment, a term adopted as the title for his first major book. His work has influenced many photographers...
NationalityFrench
ProfessionPhotographer
Date of Birth22 August 1908
CountryFrance
mean expression simplicity
It is by great economy of means that one arrives at simplicity of expression.
book mean expression
For me the camera is a sketch book, an instrument of intuition and spontaneity, the master of the instant which, in visual terms, questions and decides simultaneously. It is by economy of means that one arrives at simplicity of expression.
photography mean expression
Of all the means of expression, photography is the only one that fixes a precise moment in time.
photography expression organization
The simultaneous recognition, in a fraction of a second, of the significance of an event as well as the precise organization of forms which gives that event its proper expression... In photography, the smallest thing can be a great subject. The little human detail can become a leitmotif.
photography mean expression
As far as I am concerned, taking photographs is a means of understanding which cannot be separated from other means of visual expression. It is a way of shouting, of freeing oneself, not of proving or asserting one's own originality. It is a way of life.
photography eye expression
There is a creative fraction of a second when you are taking a picture. Your eye must see a composition or an expression that life itself offers you, and you must know with intuition when to click the camera. That is the moment the photographer is creative. Oop! The Moment! Once you miss it, it is gone forever.
photography eye expression
Your eye must see a composition or an expression that life itself offers you, and you must know with intuition when to click the camera.
cannot deal develop earth memory vanished
We photographers deal in things which are continually vanishing, and when they have vanished there is no contrivance on earth can make them come back again. We cannot develop and print a memory.
photography real responsibility
The intensive use of photographs by mass media lays ever fresh responsibilities upon the photographer. We have to acknowledge the existence of a chasm between the economic needs of our consumer society and the requirements of those who bear witness to this epoch. This affects us all, particularly the younger generations of photographers. We must take greater care than ever not to allow ourselves to be separated from the real world and from humanity.
memories vanishing print
We cannot develop and print a memory.
photography technology important
Pictures, regardless of how they are created and recreated, are intended to be looked at. This brings to the forefront not the technology of imaging, which of course is important, but rather what we might call the eyenology (seeing).
photography organization facts
Photography is simultaneously and instantaneously the recognition of a fact and the rigorous organization of visually perceived forms that express and signify that fact
photography too-late leica
During the work, you have to be sure that you haven't left any holes, that you've captured everything, because afterwards it will be too late.
photography running believe
The only thing which completely was an amazement to me and brought me to photography was the work of Munkacsi. When I saw the photograph of Munkacsi of the black kids running in a wave, I couldn't believe such a thing could be caught with the camera. I said, 'Damn it', I took my camera and went out into the street.