Harold Prince
Harold Prince
Harold Smith "Hal" Princeis an American theatrical producer and director associated with many of the best-known Broadway musical productions of the past half-century. He has garnered twenty-one Tony Awards, more than any other individual, including eight for directing, eight for producing the year's Best Musical, two as Best Producer of a Musical, and three special awards...
NationalityAmerican
ProfessionTV Producer
Date of Birth30 January 1928
CountryUnited States of America
basically direct feeding needs project specific time track work works
I'm on a single track here - I work to direct what I want to see onstage. I basically have been feeding my own needs - to be working on a specific project at a specific time, and fortunately more often it works than fails.
fun future happened life nice trying wonderful work
I'm just really trying to say what I really mean, which is: 'Your eye's on the prize, your eye's on the future. It's nice to know that a lot of wonderful things have happened to your life and that so much of it has been successful. That's great, but the work is really what makes it fun - and that has to be the future.'
missing musical new-work
What's missing in the musical theater is producers willing to nurture new work, raise the money and put it on.
argue closely impart looked romantic style work
You could argue that 'Sweeney Todd' was romantic, if you looked closely at it, but it didn't impart that to its audiences. But it's large, and it's melodramatic, and it's a style I like to work in periodically.
chamber identified meant none
Everything can't be a postage-stamp-sized project. Everything can't be a chamber piece. Musicals aren't even meant to be that, or identified with it... It's none of it simple.
There have always been revivals. Some have always been successful. And many of them have failed.
charge costumes directing george hire looked props shows took visuals
When I started producing, it was George Abbott directing and he would let me do the scenery. He just wanted to know where the doors were - the entrances, the exits; the tables, the props - and then I would hire the designer. I took charge of the visuals - scenery and costumes and so on. And, the shows looked wonderful.
commission five future guys likely money musical producers project terrific
I don't know why the guys with the big money don't find five terrific young producers and give each of them enough to commission a musical and to live on for a year. You'd be likely to get at least one project with a future.
One thing is certain: We can't go back. The musical will never be the same as it was.
audience bad chance courage lacks nobody proven taking theater
Nobody has yet proven that taking a chance and doing something unique that an audience isn't used to is a bad idea. What the theater lacks is that kind of courage.
lyrics musical plenty
Lyrics can't do what they do - or should do - when you're creating a musical with rock lyrics. There's plenty of room for rock musicals, just not all rock musicals.
adulthood aiming born broadway certain degree entered focus life suppose time
I suppose a certain degree of adulthood has entered my life. Aiming for Broadway, I can't think that way any more. Of course, Broadway will always be important. But it's not the focus of everything that you do. You know, I'm very happy I was born when I was, so I got there in time. When it was time to get there.
analyzing fatal particular people room shows trends
I think when you start analyzing trends and start making shows for a particular audience, you are making a fatal move. I think that's why people are doing too many revivals, that's why there's a plethora of rock musicals. There's room for everything, but not room for too much of anything.
heads musical people
I feel so much more comfortable when I'm working on material which makes other people scratch their heads and ask, 'You're going to make a musical out of that?'