Harold Pinter

Harold Pinter
Harold Pinter CH CBEwas a Nobel Prize-winning English playwright, screenwriter, director and actor. One of the most influential modern British dramatists, his writing career spanned more than 50 years. His best-known plays include The Birthday Party, The Homecoming, and Betrayal, each of which he adapted for the screen. His screenplay adaptations of others' works include The Servant, The Go-Between, The French Lieutenant's Woman, The Trial, and Sleuth. He also directed or acted in radio, stage, television, and film productions of...
NationalityEnglish
ProfessionPlaywright
Date of Birth10 October 1930
As a writer you're holding a dog. You let the dog run about. But you finally can pull him back. Finally, I'm in control. But the great excitement is to see what happens if you let the whole thing go. And the dog or the character really runs about, bites everyone in sight, jumps up trees, falls into lakes, gets wet, and you let that happen. That's the excitement of writing plays-to allow the thing to be free but still hold the final leash.
When the storm is over and night falls and the moon is out in all its glory and all you're left with is the rhythm of the sea, of the waves, you know what God intended for the human race, you know what paradise is.
The speech we hear is an indication of that which we don't hear. It is a necessary avoidance, a violent, sly, and anguished or mocking smoke screen which keeps the other in its true place. When true silence falls we are left with echo but are nearer nakedness. One way of looking at speech is to say that it is a constant stratagem to cover nakedness.
I found that to emerge from a personal nightmare was to enter an infinitely more pervasive public nightmare the nightmare of American hysteria, ignorance, arrogance, stupidity and belligerence; the most powerful nation the world has ever known effectively waging war against the rest of the world.
Mr. Bush and his gang do know what they're doing, and Blair, unless he really is the deluded idiot he often appears to be, also knows what they're doing.
I feel quite overwhelmed. I had absolutely no idea.
I mean, don't forget the earth's about five thousand million years old, at least. Who can afford to live in the past?
We believe in freedom. So does God. I am not a dictator. He is. I am not a barbarian. He is. And he is. They all are. I possess moral authority. You see this fist? This is my moral authority.
It's a scintillating stratagem. Language is actually employed to keep thought at bay. The words 'the American people' provide a truly voluptuous cushion of reassurance. You don't need to think. Just lie back on the cushion. The cushion may be suffocating your intelligence and your critical faculties but it's very comfortable.
It was something I did not expect at all at any time, ... I wonder, I wonder.
The crimes of the U.S. throughout the world have been systematic, constant, clinical, remorseless, and fully documented but nobody talks about them.
As far as I'm concerned, 'The Caretaker' is funny, up to a point. Beyond that point, it ceases to be funny, and it was because of that point that I wrote it.
I think it's enough for me. I've found other forms now.
It is indeed, ... But to get the oil from the Caspian Sea into the hands of the West you can't use buckets. You need pipelines and those pipelines have to be installed and protected. The oil reserves in the Caspian Sea are vast. The pipelines mean that security in the Balkans is of concrete economic and strategic importance.