Harold Bloom
Harold Bloom
Harold Bloomis an American literary critic and Sterling Professor of Humanities at Yale University. Since the publication of his first book in 1959, Bloom has written more than 20 books of literary criticism, several books discussing religion, and a novel. He has edited hundreds of anthologies concerning numerous literary and philosophical figures for the Chelsea House publishing firm. Bloom's books have been translated into more than 40 languages...
NationalityAmerican
ProfessionTeacher
Date of Birth11 July 1930
CountryUnited States of America
People cannot stand the saddest truth I know about the very nature of reading and writing imaginative literature, which is that poetry does not teach us how to talk to other people: it teaches us how to talk to ourselves. What I
What is supposed to be the very essence of Judaism - which is the notion that it is by study that you make yourself a holy people - is nowhere present in Hebrew tradition before the end of the first or the beginning of the second century of the Common Era.
We read not only because we cannot know enough people, but because friendship is so vulnerable, so likely to diminish or disappear, overcome by space, time, imperfect sympathies, and all the sorrows of familial and passional life.
I am naive enough to read incessantly because I cannot, on my own, get to know enough people profoundly enough.
If they wish to alleviate the sufferings of the exploited classes, let them live up to their pretensions, let them abandon the academy and go out there and work politically and economically and in a humanitarian spirit.
What we call a poem is mostly what is not there on the page. The strength of any poem is the poems that it has managed to exclude.
If I were to sum up the negative reactions to my work, I think there are two primary causes: one is that if there is discourse about anxiety it is necessarily going to induce anxiety. It will represent a return of the repressed for a great many people.
I saw the Oxford English Dictionary there for the first time.
I think that's not reading because there's nothing there to be read,
He is a great artist. He may be the finest artist among American writers since William Faulkner and Henry James. There's the endless variety of modes he works in. His style, his stance, his point of view.
I realized early on that the academy and the literary world alike -- and I don't think there really is a distinction between the two -- are always dominated by fools, knaves, charlatans and bureaucrats. And that being the case, any human being, male or female, of whatever status, who has a voice of her or his own, is not going to be liked.
I'm talking in the millions. I can't tell you one, two, three or 10. I'm just saying that it's in the millions.
The art and passion of reading well and deeply is waning, but [Jane] Austen still inspires people to become fanatical readers.
I have never believed that the critic is the rival of the poet, but I do believe that criticism is a genre of literature or it does not exist.