Harmony Korine
Harmony Korine
Harmony Korine is an American film director and screenwriter. He is best known for writing Kids and for writing and directing Spring Breakers, Gummo, Julien Donkey-Boy and Mister Lonely. His film Trash Humpers premiered at Toronto International Film Festival and won the main prize, the DOX Award, at CPH:DOX in November 2009. His most recent film Spring Breakers was released in 2013...
NationalityAmerican
ProfessionDirector
Date of Birth4 January 1973
CityBolinas, CA
CountryUnited States of America
Directing, to me, starts even before we get to the set. Directing is a fluid, an abstract thing. It's not done only purely in the moment. It's an idea that you plant before. It's a location that you show. It's something I whisper in someone's ear. It's a freeform thing. It only takes me a week to write the script, but it's years that you're thinking about it. The execution is really the fast part.
I see things in a specific way. All the films are different. There are specific characters and scenes and locations and ideas. There are colors I want to see. There are movements and things ... The films are different, but the approach is the same.
I like things that are never one way. Usually, emotionally, I make the films based on a type of energy. I try to work with things that are more difficult to articulate. And so, that's more of a feeling. And so, the things that have attracted me are more of the things that are morally complicated or emotionally complicated.
I have no desire for any type of introspection at all. I don't ever ask myself any questions. I don't want answers.
For certain things, certain audiences, people will laugh. And in other places, there's dead silence. And I enjoy them both. You try to make films where it's never one way - like life.
Life is beautiful. Really, it is. Full of beauty and illusions. Life is great. Without it, you'd be dead.
After 100 years, films should be getting really complicated. The novel has been reborn about 400 times, but it's like cinema is stuck in the birth canal.
I never cared so much about making perfect sense. I wanted to make perfect nonsense.
Often the biggest dreamers get hurt the most. They were pure in their insanity and in their isolation. They were living the dream amongst themselves and didn’t realize it. It’s when they invited the public inside their world that everything went wrong.