Harlan Coben

Harlan Coben
Harlan Cobenis an American author of mystery novels and thrillers. The plots of his novels often involve the resurfacing of unresolved or misinterpreted events in the past, murders, fatal accidents, and have multiple twists. Among his novels are two series, each involving the same protagonist set in and around New York and New Jersey, and some characters appear in both...
NationalityAmerican
ProfessionNovelist
Date of Birth4 January 1962
CityNewark, NJ
CountryUnited States of America
'Caught' is a novel of forgiveness, and the past and the present - who should be and who shouldn't be forgiven. None of my books are ever just about thrills, or it won't work.
The readers are the ones who let us live our dreams. I try to write books which are really compelling - that you'd take on vacation and rather than going out, you'd read in your hotel room because you had to find out what happened. Hopefully that's what readers are responding to.
Sometimes even when the book is over I dont know whos good and whos bad. Its really more interesting, I think, to write about gray characters than it is to write about black and white.
Writing my first book, I think in hindsight I went into it saying, 'It's gonna sell.' I was earning enough to scrape by sometime around a book or two before 'Tell No One.' I moved up from $50,000 to $75,000, then $150,000 for each book. I had never thought I would be doing anything else. I had enough encouragement.
What I want to do is tell stories about normal people in the American suburbs. I don't write the book where it's a conspiracy reaching the prime minister; I don't write the book with the big serial killer who lops off heads. My setting is a very placid pool of suburbia, family life. And within that I can make pretty big splashes.
The actual writing time is a lot shorter than the thinking time. I don't do too many notes. I keep it mostly in my head. I usually start writing a new book around January, and it's due October 1.
What I love about the thriller form is that it makes you write a story. You can't get lost in your own genius, which is a dangerous place for writers. You don't want to ever get complacent. If a book starts going too well, I usually know there's a problem. I need to struggle. I need that self-doubt. I need to think it's not the best thing ever.
I wrote seven Myron Bolitar novels in a row, and I never want to write a Myron book where he just solves a crime. Every one of them I want to be personal, and I want him to grow and change. The problem with that is, it makes the series limited, you can't write a series where a guy is always going through some kind of crisis.
William Goldman's Marathon Man was a novel that taught me about suspense. I was maybe 16 years old when I read it and I remember thinking, "You could put a gun to my head and I wouldn't put this book down." I loved that feeling - and want to give it others.
The book I always say that influenced me, subconsciously, because at the time I didn't know I wanted to be a writer, was William Goldman's 'Marathon Man.' That was the first adult thriller that I loved. I read it when I was 15 or so, when my father gave it to me.
If I had, say, a tall, amateur male lead living on the campus of a rural college (Six Years), the next book might feature a short, cop who lives in the heart of Manhattan (Missing You).
I still try to make the "next" book my "best" book. I want to grip and move you in unexpected ways.
When I'm writing, what I pretend subconsciously is that we're cavemen, we're sitting around the fire, and I'm telling you stories. If I bore you, you're probably going to pick up a big club and hit me over the head.
Make no mistake, adolescence is a war. No one gets out unscathed.