H. P. Lovecraft
H. P. Lovecraft
Howard Phillips Lovecraftwas an American author who achieved posthumous fame through his influential works of horror fiction. Virtually unknown and only published in pulp magazines before he died in poverty, he is now regarded as one of the most significant 20th-century authors in his genre. Lovecraft was born in Providence, Rhode Island, where he spent most of his life. Among his most celebrated tales is "The Call of Cthulhu", canonical to the Cthulhu Mythos. Never able to support himself from...
NationalityAmerican
ProfessionNovelist
Date of Birth20 August 1890
CityProvidence, RI
CountryUnited States of America
Time, space, and natural law hold for me suggestions of intolerable bondage, and I can form no picture of emotional satisfaction which does not involve their defeat--especially the defeat of time, so that one may merge oneself with the whole historic stream and be wholly emancipated from the transient and the ephemeral.
No one ever wrote a story yet without some real emotional drive behind it--and I have not that drive except where violations of the natural order ... defiances and evasions of time, space, and cosmic law ... are concerned.
I can look back . . . at two distinct periods of opinion whose foundations I have successively come to distrust a period before 1919 or so, when the weight of classic authority unduly influenced me, and another period from 1919 to about 1925, when I placed too high a value on the elements of revolt, florid colour, and emotional extravagance or intensity.
All my tales are based on the fundamental premise that common human laws and interests and emotions have no validity or significance in the vast cosmos-at-large.
If we were sensible we would seek death--the same blissful blank which we enjoyed before we existed.
Ultimate horror often paralyses memory in a merciful way.
So far as English versification is concerned, Pope was the world, and all the world was Pope.
No amount of rationalisation, reform, or Freudian analysis can quite annul the thrill of the chimney-corner whisper or the lonely wood.
It is only the inferior thinker who hastens to explain the singular and the complex by the primitive shortcut of supernaturalism.
Rome was so mighty that it could not fall. It had to vanish in a cloud, like so many of the mythical heros of antiquity, and to receive its apotheosis among the stars before men became fully aware that it had vanished from the earth!
In my actual imaginative contact with life, I am vastly more responsive to beauty than to horror--indeed, I never experience real cosmic horror except in infrequent nightmares. However, when I come to record my various imaginative experiences, I generally find that only the horror items have any uniqueness or originality. Others have seen the same beautiful things that I have seen, & have sung them more nobly.
The end is near. I hear a noise at the door, as of some immense slippery body lumbering against it. It shall not find me. God, that hand! The window! The window!
incurable lover of the grotesque
My reason for writing stories is to give myself the satisfaction of visualising more clearly and detailedly and stably the vague, elusive, fragmentary impressions of wonder, beauty, and adventurous expectancy which are conveyed to me by certain sights (scenic, architectural, atmospheric, etc.), ideas, occurrences, and images encountered in art and literature.