Guy Pearce
Guy Pearce
Guy Edward Pearceis an Australian actor and musician. He is well known for having starred in the role of Mike Young in the Australian television series Neighbours and in films such as The Adventures of Priscilla, Queen of the Desert, L.A. Confidential, Memento, The Count of Monte Cristo, The Road, The King's Speech, Prometheus, and Iron Man 3. In Australian cinema, he has appeared in The Proposition, Animal Kingdom, The Rover, Holding the Manand The Wizards of Aus. He has...
NationalityEnglish
ProfessionMovie Actor
Date of Birth5 October 1967
CityCambridgeshir, England
I find it really difficult to even articulate things that I've done in the past. I express myself through the characters that I play, not through the articulation of them later.
Sometimes I'll go for something more because of the story, or more because of the director. But, generally, I have to feel like it's something that I have a real sympathy for - a person that I can completely go, "Oh, wow, oh, I'm there." Otherwise I don't feel like I will be able to pull it off at all. I know I haven't done everything very well in the past; some things have worked and some things haven't. But I need to feel like I can feel about the person, understand that person, I suppose.
I've been asked to do action-oriented movies in the past and they just haven't been right for me.
Even though we all speak English here in America, you all speak a very different language. So it's really enjoyable for me to work at home. It's more cathartic, I suppose. To work in America or other places is more about curiosity, because I'm dealing with cultures and sensibilities that I don't really know.
They actually came to me over a year ago, and I was having an ever-so-mild nervous breakdown at that point, and felt I needed to just stop. So I went, "I can't look at anything right now, I need to stop." I wasn't really having a nervous breakdown, I'd just done too much stuff back to back. And so a whole lot of time went by, and they called and said, "Are you ready now to take a look at this script?" So I did and then met with him in the UK.
I've always been resistant to parties and schmoozing.
Ah, we tend to do a lot of that stuff in Australia. We don't really have the money to get anyone else to do it. "We can't afford a stuntman today, so you'll be jumping onto the train." "Right, okay.
Men often still expect women to be under their thumb.
On stage, you've got dialogue you've learned. You've got a paying audience. It couldn't be better, you know?
It's hard to pinpoint why all of a sudden a group of Australian films will be doing well and why they perhaps are better made than some from the past.
There's a bunch of different people that I utilize when we record at home. There's a girl that I'll play with more regularly than anybody else, I suppose. Whenever I go home, she and I try to go and do some little gigs around the place, just the two of us. So, no, I'm not really in a band.
Working on films where the money's more important than the creativity, I just get a bit freaked out by that. I just don't feel comfortable.
I have real dilemmas at times in trying to understand what I really think about the things that are in films and how people respond to them. I flip back and forth from going, "It's a slice of life. This happens in life. A film is an artistic venture. It's expressing life, so why not?
I haven't done too many big American movies, really, have I? Well, I've a couple, I suppose. I certainly haven't done as many as I could have done.