Guy Maddin
Guy Maddin
Guy Maddin, CM OMis a Canadian screenwriter, director, author, cinematographer and film editor of both features and short films, as well as an installation artist, from Winnipeg, Manitoba. His most distinctive quality is his penchant for recreating the look and style of silent or early-sound-era films. Since completing his first film in 1985, Maddin has become one of Canada's most well-known and celebrated film-makers...
ProfessionDirector
Date of Birth28 February 1956
exactly knew sound stomach
It's all Isabella, and she knew exactly what that stomach should sound like for some reason,
horror whatever
Whatever I do next, it'll be a horror film.
people trying persons
In many relationships that I've had people just try to own the other person.
attitude devil may
I'm starting to frighten myself, because I'm backsliding into my devil-may-care attitude. I'm sure it's going to catch up with me.
thinking half-days firsts
I'm a nervous wreck. If it's a 20-day shoot, at lunchtime on the first day, I'm thinking "Only 19 and a half days to go... I can make it!"
feet space long
I've usually never felt comfortable shooting until things were kind of claustrophobic, but ballet dancers need a lot of space, so the sets that I designed had to be big. Normally, I'd design a kitchen that was half the size of a normal kitchen, just to make everything feel kind of womb-like, but the kitchen in a ballet would have to be like 100 feet wide and just as long.
moving dancer ballet
Making the ballet really taught me how to get things moving. Ballet dancers don't stand still.
black-and-white looks static
I guess to the outside observer, all my movies look like musty old black-and-white artifacts, but my earlier movies had been more static and tableaux-ish.
hard-work people feel-good
It feels good to finally stand on top of vanquished sloth, and actually impress some people as a hard worker.
dream sleep night
If I feel like crying, I'll just cry in a dream. Something I really try not to do in my waking hours. I like good melodrama because it's just an undumping of all these compulsions we feel that we work so hard to master during our waking hours. No wonder we crash to sleep in bed at night. We have to, otherwise we'd just spend our waking hours shredding the feelings from everybody else.
tired editing filled-out
Whenever you take a subject you're obsessed with or that haunts you, and make a movie about it, you're converting it into work units that need to be completed. You gotta turn it into a treatment, a script, a grant application, a bunch of forms to be filled out, a shooting schedule, casting sessions, auditions, shooting, editing, music compositions, the film festival circuit, interviews even. And by the time you've finished the process you're so sick and tired by something that was once very precious to you that you're done with it.
dream thinking dislike-someone
I like the way we get to be uninhibited in our dreams, we don't' need to repress our behaviours like we do in our daily lives. If we lust after someone in a dream we get to possess him or her, if we dislike someone we get to express it or even strike out at them. Something I wouldn't think of doing, I don't have the courage, and it's not right either.
bananas mischief
You get to have some mischief before you're basically a blackened banana, impotent, and nothing to be afraid of.
musical needs planning
I feel the need to chastise myself. A movie that's a partial musical, full-on melodrama, should require a tremendous amount of planning.