Gus Van Sant
Gus Van Sant
Gus Green Van Sant, Jr.is an American film director, screenwriter, painter, photographer, musician and author who has earned acclaim as both an independent and more mainstream filmmaker. His films typically deal with themes of marginalized subcultures, in particular homosexuality; as such, Van Sant is considered one of the most prominent auteurs of the New Queer Cinema movement...
NationalityAmerican
ProfessionDirector
Date of Birth24 July 1952
CountryUnited States of America
drama dark romantic-love
The dark comedies tend to be in a non-releasable area. There can be romantic comedies. There can be dramas. But there's no 'dark comedy' inbox for the advertising.
trying film dramatic
Free time keeps me going. It's just something that's always been a part of my life. I was originally a painter, and I made films sort of as an extension of that, and then I started to try to make dramatic films because the early films were experimental films.
drama interesting entertainment
I find it interesting, the different rules that apply to journalism and drama, even though journalism has become more and more about entertainment, and entertainment has become more and more about journalism.
drama animal ideas
I have my ideas of what a good documentary is, but drama is a different animal because you're arranging everything.
argue boys executives guess harder man million movies sort
I hadn't made a big-budget film, and in Hollywood there's a sort of man and boys situation. You're a man, you make $80 million movies! As if it's harder to make an $80 million movie. Well, I guess businesswise it is because you have more executives to argue with.
bigger california death less lots stuff valley
Death Valley is really wide-open - it's bigger than Rhode Island - and it's less a part of California than an ungoverned territory, so there's lots of weird cops-and-robbers stuff going on.
chose material million
I did 'Mala Noche' as a way to do something that was outside of the system, because I was outside of the system, and I deliberately chose material that Hollywood wouldn't touch in a million years.
There's always a risk if you don't do things the way you've done things before.
guy leading positive somebody supposed
I had never had a positive leading character - somebody that wasn't an antihero, or who wasn't more of a guy that you're supposed to be on the side of.
goes good last worried
I think that for the actors, the last thing that they want is a director that's not watching, a director that goes 'Okay, it sounded good to me,' and they were doing something else or preoccupied with something else because they were worried about the light changing.
people wildness
I think that what I'm attracted to is people who are wild. But the self-destructive side comes out of the wild side. The wildness is very different from me. That's why I think I like it.
approving characters classic direct inventions remind shoot simple watch
I don't usually direct actors in the classic sense of that word. Instead, I try to remind the characters before the shoot what's going on in a very simple way. I then watch them, their inventions as actors, approving or not approving what they're doing.
check scene watching whether
Usually, when I read something, I'm looking for the story first. And then, when I re-read it, I check every part of it to see whether every scene is necessary. You imagine yourself watching the movie, to see whether or not you're losing the through-line of the story.
extension films originally sort
I was originally a painter, and I made films sort of as an extension of that, and then I started to try to make dramatic films because the early films were experimental films.