Gunter Grass
Gunter Grass
Günter Wilhelm Grasswas a German novelist, poet, playwright, illustrator, graphic artist, sculptor, and recipient of the 1999 Nobel Prize in Literature...
NationalityGerman
ProfessionNovelist
Date of Birth16 October 1927
CountryGermany
bound future minds mixed possible present thinking
Our minds aren't bound by a chronological corset. When thinking and dreaming, past, present and future are mixed up. That's also possible for a writer.
children thinking years
People change with time. There are things that happened to a person in his childhood and years later they seem to him alien and strange. I am trying to decipher that child. Sometimes he is a stranger to me. When you think about when you were 14, don't you feel a certain alienation?
thinking doors names
...if I were asked to think up a new name for temptation, I should recommend the word 'doorknob', because what are these protuberances put on doors for if not to tempt us...
country thinking abuse
I have heard my fill of hurtful words. I think it's especially egregious when citizens like me, who point out abuses in their country, are referred to as 'do-gooders.' This is how a phrase that can be used to stop an argument dead becomes part of common usage.
writing thinking mind
The human head is bigger than the globe. It conceives itself as containing more. It can think and rethink itself and ourselves from any desired point outside the gravitational pull of the earth. It starts by writing one thing and later reads itself as something else. The human head is monstrous.
aware cannot recover sensual sheet turn
With drawing, I am acutely aware of creating something on a sheet of paper. It is a sensual act, which you cannot say about the act of writing. In fact, I often turn to drawing to recover from the writing.
fairly five takes
When I am working on an epic-length book, the writing process is fairly long. It takes from four to five years to get through all the drafts. The book is done when I am exhausted.
against age altogether begins life literary memory observe plays principle reinvent tend terms time tricks
Over the years, I had something in principle against autobiographical writing altogether because memory plays tricks on us, and we also tend to reinvent ourselves. But there comes an age when one begins to observe life, and there are things that need time to mature, also in terms of literary form.
amidst beyond books corner early imagine learned
My sister and I did not have our own rooms, or even a place to ourselves. In the living room, beyond the two windows, was a little corner where my books were kept, and other thing - my watercolors and so on. Often I had to imagine the things I needed. I learned very early to read amidst noise.
alive author certain characters good paper point process start time wonderful work
It is a wonderful thing in the process of writing when such paper characters are first sketched, and, when one is doing good work, from a certain point in time they come alive and start contradicting the author as well.
account behind determined existence guests leave nuclear period recognise short spend
If we take into account the existence of our planet, we have to recognise that we are guests that spend a short and very determined period in this world, and all we leave behind is nuclear waste.
fact giving later misguided remember space tin totally
I remember when I was writing 'The Tin Drum,' I had the totally misguided idea of giving Oskar Matzerath a sister, and he just wouldn't have it. There was no space for a sister, yet I had the character of the sister in my head. In fact I used her in later novels, in 'Cat and Mouse' and 'Dog Years,' Tulla Pokriski.
border death democratic drawings drawn federal germany poisoned published republic seen
I have seen and drawn dying, poisoned worlds. I published a book of drawings called 'Death of Wood' about one such world, on the border between the Federal Republic of Germany and what was then still the German Democratic Republic.
book books came diary felt life period special time tin
I can only write a book like 'The Tin Drum' or 'From the Diary of a Snail' at a special period of my life. The books came about because of how I felt and thought at the time.