Gerard Butler

Gerard Butler
Gerard James Butleris a Scottish actor who has appeared on film, stage, and television. After studying law, Butler turned to acting in the mid-1990s with small roles in productions such as Mrs Brown, the James Bond film Tomorrow Never Dies, and Tale of the Mummy. In 2000, he starred as Dracula in the horror film Dracula 2000 with Christopher Plummer and Jonny Lee Miller. The following year, he played Attila the Hun in the miniseries Attila...
NationalityScottish
ProfessionMovie Actor
Date of Birth13 November 1969
CityPaisley, Scotland
At the end of the day what matters is that you do your best in every job you do. But of course you would rather your movie does well. You want it to be as critically well-received as possible, and you want it to do as well with the public as possible, because it means that they're getting what you're doing, or what you're trying to say, or appreciating your work.
I mean, I made The Phantom, although The Phantom was, believe it or not, an independent film. It was just a very large, expensive independent film.
I don't know whether it's spiritual development or trying to learn the psychologically with being an actor, but I realise the more I get into it that this was something I was always supposed to do. That allowed me to sit easiser in the life I was living. But that doesn't mean to say you just stroll through it. It takes work and the work is not always about acting. It's sometimes about how you deal with the ups and downs of hope, of expectation.
When I went to Scotland to do another movie, I would sing with a coach up there and then when I went to New York I sang with a coach over there-I mean I've now sung with coaches in LA, New York, London, Glasgow, St Louis and Rio de Janeiro!
I used the physical deformity to a certain extent by conducting research into physical deformities, but I used a more internal thing. I think the physical deformity represented emotional deformities; things inside ourselves which don't allow us fully to be open to love or to be loved. It was more the effect of that deformity that I was focusing on, and it was more of an interior journey into my own dark spaces.
Angelina had wanted a stronger male character to play opposite her, and I think one of the other advantages in that was a sense of competition.
I was getting to bed about 10 P.M. so wound up and not getting to sleep by 11, and because I was putting the prosthetics on for five hours, I had to be up at 3 in the morning.
I'm sure, at the end, you can never keep everybody happy, especially the Scots-I hate to say this-if you're dealing with one of their national heroes. No matter what way you do it, there's no way you'll keep everybody happy. So I'll expect some praise, and I'm sure I'll get a lot of abuse.
Well, at the end of the day it's about beating England!
One of the nicest privileges as an actor is to know that you can move people in one moment, make them think about their lives, or make them laugh or make them cry or make them understand something. Or just make them feel something, because I think so many of us, including myself, spend too much time not feeling enough, you know?
By that point, I had started taking singing lessons. And after the first session, I mean, I was surprised that the windows didn't shatter. And after the third session, I really didn't know where this voice had come from.
Angelina came up, and as soon as we said hello, I thought, This is going to be great. I'm really going to love doing this with her. And I did. And then I was very excited to do the movie after that.
I love to spend a lot of time on my own. I can seriously go into my own head and often love to let myself travel where I don't know where I'm going.
I wear a lot of Brioni and Ferragamo and Dolce, all of those kind of things.