Geraldine Brooks
Geraldine Brooks
Geraldine Brookswas an American actress whose three-decade career on stage as well as in films and on television was noted with nominations for an Emmy in 1962 and a Tony in 1970. She was married to author Budd Schulberg...
NationalityAustralian
ProfessionTV Actress
Date of Birth29 October 1925
CityNew York City, NY
CountryAustralia
believe writing emotional
Write what you know. Every guide for the aspiring author advises this. Because I live in a long-settled rural place, I know certain things. I know the feel of a newborn lamb's damp, tight-curled fleece and the sharp sound a well-bucket chain makes as it scrapes on stone. But more than these material things, I know the feelings that flourish in small communities. And I know other kinds of emotional truths that I believe apply across the centuries.
writing simple men
When I write a word in English, a simple one, such as, say, 'chief,' I have unwittingly ushered a querulous horde into the room. The Roman legionary is there, shaking his cap, or head, and Andy Capp is there, slouching in his signature working man's headgear.
writing past empathy
You can't write about the past and ignore religion. It was such a fundamental, mind-shaping, driving force for pre-modern societies. I'm very interested in what religion does to us - its capacity to create love and empathy or hatred and violence.
writing thinking fiction
When you're writing non-fiction, you go as far as you can go, and then ethically you have to stop. You can't go. You can't suppose. You can't imagine. And I think there's something in human nature that wants to finish the story.
writing reality thinking
While I love to read contemporary fiction, I'm not drawn to writing it. Perhaps it's because the former journalist in me is too inhibited by the press of reality; when I think about writing of my own time I always think about nonfiction narratives. Or perhaps it's just that I find the present too confounding.
writing years light
Because I worked as a newspaper reporter for about 14 years before attempting my first novel, I learned to write under almost any circumstances- by candle light, in longhand, in African villages where there was no power, under shelling in Kurdistan.
writing pages sometimes
I can always write. Sometimes, to be sure, what I write is crap, but it's words on the page and therefore it is something to work with.
writing years east
I was a news reporter for 16 years, seven of them a foreign correspondent in the Middle East, Africa and the Balkans. Perhaps the most useful equipment I acquired in that time is a lack of preciousness about the act of writing. A reporter must write. There must be a story. The mot juste unarriving? Tell that to your desk.
wall writing down-and
Writing is like bricklaying; you put down one word after another. Sometimes the wall goes up straight and true and sometimes it doesn't and you have to push it down and start again, but you don't stop; it's your trade.
country writing past
It is human nature to imagine, to put yourself in another's shoes. The past may be another country. But the only passport required is empathy.
exist laid line structure within women
The structure of 'March' was laid down for me before the first line was written, because my character has to exist within Louisa May Alcott's 'Little Women' plotline.
ardent decision moral people quaker town
Being a quaker town, where people were ardent abolitionists, but were still enmeshed in the confederacy, that kind of moral decision ... the people in that town were the inspiration.
bit great imagination stories work
There's just so many great stories in the past that you can know a little bit about, but you can't know it all, and that's where imagination can work.
imagination void wonderful
That was a wonderful void to let imagination work.