George Tillman, Jr.
George Tillman, Jr.
George Tillman Jr.is an American film producer, screenwriter, and director...
NationalityAmerican
ProfessionProducer
Date of Birth26 January 1969
CountryUnited States of America
characters
As the director, I try to go in and know as much as I can about the material. I really try to go in and understand what all the characters are about, what the movie's going to look like.
country character men
That was exciting man, because the killer is a different kind of character. There are a lot of people who wanted to play the role. I'm happy that Sony and CBS took a chance on a new face. I like the idea that he is from a different country. He has a British sensibility. I like that Billy Bob has a darker edge.
real character thinking
is grey, and I like that about all the characters, the killer, the driver... the movie has a very unlikely Hollywood ending, at the same time it helps you for a sequel too. Those are the things that I think are attractive, it's more, its real life, and people can identify with it and it just grounds it to a certain degree. That's the reason why.
character together stories
I just felt like, you know, I read a lot of scripts out in L.A., out here in the industry and I just felt like this film was just being genuine. I just felt like it had really great characters. And all the three different characters have completely different stories and they're all kind of intertwined together thematically. So I just thought it had great characters, great themes
character names guy
I'm a big fan of the 70's action films. Where there is a lot of character and a lot of great action, but the action is kind of cemented with a great back-story with characters. And I thought, this kind of reminded me of the movies that, early on when I was telling Dwayne (Johnson) and the guys, the producer... my whole thing is if you look at a movie like The Driver by Walter Hill, it's a film where there's no names. They are just named, "the driver", "the cop".
side
Even looking at my last film, 'Notorious,' you got a perception about B.I.G. and who he was, but there was a different side to him.
camera great men pipe robert six time took weeks worked
When I was working on 'Men of Honor' with Robert De Niro, there's a pipe that he has in the movie, and it took us about six weeks to find the right pipe for him to use and feel comfortable with. It was a great choice, because it was really about what worked with the camera at that time.
felt guy mcqueen rooted steve
Steve McQueen was the guy who said less, and everything was all behind his words and what he didn't say, and you still felt emotionally connected and rooted behind him.
changed excited miles music prince six
It's called 'Miles Davis, Prince of Darkness,' and it's about Miles Davis, the genius, and why he was the way he was, and how he changed music so many times. He changed music six times. So, I'm excited about that movie.
family
I wanted to make a movie about a black family in Middle America. I wanted to make a film where everyone can look at them and say, 'This is my family.'
great saw
I want to see that 'Anita' documentary. I want to see 'Lovelace'; I want to see 'After Midnight,' because I saw the other two and I loved them. I thought the last one was great.
ask learned time upset women
I used to get so upset with my father. I'd ask him, 'Why do I have to be around all these women all the time?' But in time, I learned that was an advantage.
attention chemistry felt genius paid ryan sparks
I never paid attention to many of the Nicholas Sparks films. 'The Notebook,' which my wife liked, I felt that Ryan Gosling was a genius in it and Rachel McAdams has this thing about her that you just want to take care of her. I remember that chemistry between them.
front love point steal stories telling
I love telling stories from a kid's point of view because they don't really see all the obstacles in front of them. They're resilient, and sometimes adults can steal that from them.