George Saunders
George Saunders
George Saundersis an American writer of short stories, essays, novellas and children's books. His writing has appeared in The New Yorker, Harper's, McSweeney's and GQ. He also contributed a weekly column, American Psyche, to the weekend magazine of The Guardian until October 2008...
NationalityAmerican
ProfessionNovelist
Date of Birth2 December 1958
CityAmarillo, TX
CountryUnited States of America
light action humans
Positive human action is not only possible, but pervasive; human beings can improve and choose light and so on. And this is all happening.
feelings way stories
I love the feeling of being on the hunt - the feeling that the story is refusing to be solved in some lesser way and is insisting that you see it on its highest terms.
writing thinking remember
Whenever you talk about writing I think you have to remember that it all has a big question mark over it - every word has a big question mark over it.
mean talking hopeful
The most hopeful thing in the stories, I hope, is wit. I make it up. If I make up a world in which we're ruled by big talking turds, it doesn't mean that we are. So you shouldn't feel depressed...
people world earth
I read Rand and thought, "I want to be one of the earth movers, the scientific people who power the world. I don't want to be one of these lisping liberal artsy leeches." So I was working against my actual abilities.
hoboken imitating knows
Every writer knows that when you're imitating somebody - you know, you're sounding like Faulkner - you're doing pretty good, but your life in Hoboken isn't Faulkneresque.
crazy voice trying
In a sense my whole life as a writer is trying to find structural ways, or formal ways, to permit that outflowing so it doesn't just look like crazy output. In other words, if it turns out that you can do a given voice, that's just kind of inclination. But then if you can find a way to put that voice in a story so that the voice serves a purpose, then I would say that's being a writer.
america long intellectual
I haven't written a novel or something that long, because I really am improvising all along and the story is growing new limbs to do what it needs to do. So there's very little planning. There's a little planning where I say, "Well, it looks like I'm going in this direction, ok, good." But there's very little forethought or intellectual justification: "Oh, look, I'm putting in a theme park because that represents dystopian America!"
facts comfortable
I'm comfortable with anything after the fact.
kids littles way
It is technically very hard to show positive manifestations. But I can look back at the way I thought and felt even as a little kid and there was a lot of wonder there, and openness to the many sides of life.
attitude desire vignettes
It seems to me that there are certain thoughts and vignettes and attitudes that I have always had the desire to represent.
littles narrative might
It's a little like packing for a trip. First you lay out everything that might possibly be useful, with no thought about the size of your suitcase. Then, look at your suitcase. In the case of narrative, there's a certain obligation to keep the pace up and have each section or subsection be doing something.
real writing order
I've had that situation where I start writing somebody really miserable, and in order to make the story come alive, I have to give them a vote of confidence, make him vulnerable or wounded. But in real life, you often meet people who, in that particular moment, actually shouldn't get a vote of confidence.
thinking likes trump
A person supporting [Donald]Trump likes Trump. And I think they would say the same about me.