George Bernard Shaw
George Bernard Shaw
George Bernard Shaw, known at his insistence simply as Bernard Shaw, was an Irish playwright, critic and polemicist whose influence on Western theatre, culture and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as Man and Superman, Pygmalionand Saint Joan. With a range incorporating both contemporary satire and historical allegory, Shaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature...
NationalityIrish
ProfessionPlaywright
Date of Birth26 July 1856
CityDublin, Ireland
CountryIreland
The art of government is the organization of idolatry
Soldiering, my dear madam, is the coward's art of attacking mercilessly when you are strong, and keeping out of harm's way when you are weak. That is the whole secret of successful fighting. Get your enemy at a disadvantage; and never, on any account, fight him on equal terms.
She has lost the art of conversation, but not, unfortunately, the power of speech.
She had lost the art of conversation but not, unfortunately, the power of speech.
Artists do not prove things. They do not need to. They know them.
The art of government is the organization of idolatry. The bureaucracy consists of functionaries; the aristocracy, of idols; the democracy, of idolaters. The populace cannot understand the bureaucracy: it can only worship the national idols.
In the arts of life main invents nothing; but in the arts of death he outdoes Nature herself, and produces by chemistry and machinery all the slaughter of plague, pestilence and famine. ... There is nothing in Man's industrial machinery but his greed and sloth: his heart is in his weapons.
Great art is never produced for its own sake. It is too difficult to be worth the effort.
In the arts of peace Man is a bungler.
It is ridiculous to say that art has nothing to do with morality. What is true is that the artist's business is not that of the policeman.
All Artists are Anarchists.
God made the world as an artist and that is why the world must learn from its artists.
I hate performers who debase great works of art; I long for their annihilation.
I wish to boast that Pygmalion has been an extremely successful play all over Europe and North America as well as at home. It is so intensely and deliberately didactic, and its subject is esteemed so dry, that I delight in throwing it at the heads of the wiseacres who repeat the parrot cry that art should never be didactic. It goes to prove my contention that art should never be anything else.