Geoff Johns

Geoff Johns
Geoff Johns is an American comic book and television writer, film producer, and television producer. He is the president and Chief Creative Officer at DC Comics; he has served in the latter position since 2010. His most notable work in different media has used the DC Comics characters Green Lantern, Aquaman, The Flash and Superman. He is well known for his work on The WB/The CW's Smallville, Arrow and The Flash...
NationalityAmerican
ProfessionComic Book Author
Date of Birth25 January 1973
CityDetroit, MI
CountryUnited States of America
One of the things that I thought really worked was that you have 'Smallville' on television and 'Superman Returns' come out in the theater, and it was fine. Nobody freaked out; nobody thought they were competing.
'Forever Evil' is my love letter to DC super villains. It's my chance to take all of the villains I've worked with and all the ones I've never worked with and put them into one gigantic, epic story that will bring together the bads of the DC Universe.
I tend to like writing long stories in comics. I worked on 'Flash,' 'Teen Titans' and 'JSA' for years. I always like diving into characters.
I started at DC with Stars & S.T.R.I.P.E. and I've never stopped having fun, ... I'm working with the best people in the business -- my fellow writers, artists and editors. And with Infinite Crisis just about here (finally!) and Grant Morrison, Mark Waid, Greg Rucka and Keith Giffen on this insane jam series known as 52, I'm really excited for what tomorrow brings. Thanks to everyone, the readers and the retailers, for their support. My family and I appreciate it more than words could ever say. I would also like to take this opportunity to ask if anyone can help with the Red Cross's efforts throughout the South, and my wife's home city of New Orleans in particular, please go to www.redcross.org and give what you can. Thank you so much.
I think he's going to be a fantastic new character.
'Justice League' takes place in the past, and Aquaman has a lot more to prove. He's just starting out. The perception is already beginning, and all these super humans are just showing up, and here's Aquaman. The perception is, 'What's next? Now we've got a guy talking to fish. What can be next?'
The problem is there are so many stories out there where I can pull that superhero out, put any other superhero in, and the story works the same. For me, that's broken. I have to write a story that no one else but Aquaman or Shazam can be in, and as soon as you pull that character out and out someone else in, it doesn't work.
I didn't want to take the DC universe, put it in a box, shake the box and pour it out. I wanted to take the major characters and show what they could be like if they were put on a different path.
'Forever Evil' is, ultimately, a Lex Luthor story. And everything in there is reflecting who Lex is and what he's going through. And we continue to learn more and more things about him that we might not know, and he's going to continue to experience things and do things that are surprising, I think, to even him - especially us.
Everyone knows Aquaman, probably from all the animation he's been in over the years from the '70s and the '80s, entering him into the pop culture.
'Flashpoint' is a showcase to demonstrate why the Flash is a major character, just like how we've done with Green Lantern. It's important that the Flash can hold his own.
The ocean is 90% unexplored. It's a great canvas to paint Aquaman stories across, just like Green Lantern has space. It's more organic, which makes it different and interesting. It's alien, but it's terrestrial.
I don't know who made the first Aquaman joke. I'm sure it was comics readers; maybe we all did. But it's the idea that the perpetuated story of Aquaman is that he only has powers in water, and he talks to fish. I think it's the idea of him in the middle of a city just doesn't make a lot of sense to people. It's just the character itself.
I've been writing 'Green Lantern' for a long time, and one of the reasons I've enjoyed it is because the depth of stories you can tell is pretty endless with space and everything.