Geddy Lee
Geddy Lee
Geddy Lee Weinrib, OC, known professionally as Geddy Lee, is a Canadian musician, singer and songwriter best known as the lead vocalist, bassist, and keyboardist for the Canadian rock group Rush. Lee joined what would become Rush in September 1968, at the request of his childhood friend Alex Lifeson, replacing original bassist and frontman Jeff Jones. Lee's first solo effort, My Favourite Headache, was released in 2000...
NationalityCanadian
ProfessionRock Singer
Date of Birth29 July 1953
CityToronto, Canada
CountryCanada
Then, once I have lyrics, being able to shape them around a song is nothing new for me, I've been doing that for 25 years. The soul searching part of it, the spontaneous part of it, that was, and remains, a really terrific process.
I'm always scouring the universe for great old instruments from the '50s and early '60s. That's really, for me, the golden age of basses, when they had just been invented within 10 years of that period and they had just started to come into their own, especially the old Fender jazz basses and old Rickenbackers and Gibsons. I'm always on the lookout. It's fun.
Some writing and production projects will be a great way to spend my elderly rock years.
Well, I've been lucky. I've never gotten a voice polyp. I've never gotten nodes. But I do get sick, usually every tour, and to varying degrees. Sometimes it's a sinusitis.
I worry about my voice 24/7 when I'm on tour. It's like a pitcher and his arm. It's constantly the thing that my whole life revolves around.
Live records of mine are very painful to listen to because you always think you can do it better. I don't think I have a single favorite one.
I think jamming is the way we begin to communicate. In the old days, people actually wrote notes on paper and sent them to each other. I guess that's how they jammed.
My diet, my regime, the whole life I have on the road has always got that little bit of stress because I'm always afraid I'm going to get a cold. And it's just such a nightmare when you got a cold or an irritation and you have to do a show.
Music turned to digital, and suddenly you had the possibility to make things louder than loudest, which boggles the mind but it's true, and what you have are all kinds of different ways of distorting your music.
It's very rare - and it does happen on occasion - where I'll take a piece of lyric and I'll just sit down and purposefully craft that melody around that lyric because I think the lyric is the wellspring for the song, without question.
When I do a take, I very often try things that I haven't planned to try to see if I can pull it off.
When I usually go to my studio to work, I start with something that is going to take two minutes just to put some idea down and the next thing I know, ten hours have gone by and my family is screaming at me because they want me to come up to have dinner with them.
The first song that made me interested in music was 'Oh, Pretty Woman' by Roy Orbison. It was the guitar intro, that riff, that I really liked and made me listen in a different way.
If I start mining for opinions on hundreds of websites that have fan forums, I'll be totally distorted in my view of myself. I'll lose myself in all that.