Gavin Hood
Gavin Hood
Gavin Hoodis a South African filmmaker, screenwriter, producer and actor, best known for writing and directing Tsotsi, which won the Academy Award for Best Foreign Language Film. He also directed the films X-Men Origins: Wolverine and Ender's Game...
NationalitySouth African
ProfessionDirector
Date of Birth12 May 1963
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When you buy a ticket and when you buy a genuine DVD, you are an investor in South African film as your money is going back to people who invest in local films.
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We grew up watching American films and I hope that Americans will watch our stories.
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Our stories are the same as your stories. They're about the human heart and emotion.
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I want to thank my fellow nominees, who I've become deep friends with. We may have foreign-language films, but our stories are the same as your stories. They're about the human heart and emotion.
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My parents have been car-jacked. I have been mugged. We all know what it is like. But do you write a story about the way it is, or the way it should, or could, or needs to be?
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Although it seems to be a ghetto movie, it very quickly becomes a much more intimate story, the story of this young, teenage, lost, crazy, out-of-control kid and a baby that he hides from his friends.
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You don't want to make a big deal out of it because it sounds indulgent. But the fact of the matter is that, for all South African filmmakers, because we don't make a lot of films, you feel an unrealistic pressure that your film has to say so much and has to be about everything in South Africa.
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This may sound melodramatic but I have never, ever worked so hard. The film will be released in a different country every week for the next six weeks. I've just come back from Germany, France and Sweden to be in LA for the nominations and to speak to the American press.
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It's a rough mess, so anyone who buys it is getting a poor-quality version.
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We arranged a meeting in Los Angeles with big name stars, but I had to drop the idea. I wanted to film in the local Soweto dialect that only Soweto youth can speak and believed that shooting in any other language would dilute the impact of the film.
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One of the struggles and one of the exciting things for South African filmmakers is: What stories are we allowed to tell? I hope for the industry that more and more, it will tell whatever stories it likes.
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I was frozen in my seat. It was the first time I had ever seen people like me on the screen.
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There's always a theme I'm drawn to, that we humans are not good or bad. We're all a mixture of both. We can have great compassion or commit great violence.
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The truth about people at every economic level of life is you get those who are kind and who are not, those who are greedy, whether they be rich or poor. That's a common thread through humanity on any street you go to.