Gary Ross
Gary Ross
Gary Ross is an American film director, writer, and author. He directed the film The Hunger Games, as well as Pleasantville and the Best Picture nominated Seabiscuit...
NationalityAmerican
ProfessionDirector
Date of Birth3 November 1956
CityLos Angeles, CA
CountryUnited States of America
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What's scary is that we're just moving out of the lowest period of demand for the year and OPEC at full stretch was unable to keep prices down,
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World demand in the second half will average 3 million barrels a day more than in the second quarter.
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I think movies do play a valuable role in turning people on to the act of reading. I think that phenomenon just creates readers. At first they're going to love 'Harry Potter,' or they may love 'The Hunger Games,' but after that, they're going to love the act of reading and wonder, 'What else can I read?'
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I think they felt a little more pressure, and I think the pressure being more public made it more difficult.
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I thought it would be interesting to hear a conversation between filmmakers instead of just a filmmaker gassing on about his own movie. Steven is so literate about this stuff and a great film journalist in his own right and a good friend, so it worked out. He also loved the movie and volunteered to do it.
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I wasn't going to make a slick, glossy over-produced piece of entertainment because then I would be doing what the Capitol did. Then I'm actually putting on the Hunger Games and not making a movie of the 'Hunger Games.'
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This is just as much fun as playing in the water. It seems like there is a lot of bickering going on. Seems to be the wrong time. People need to be doing more stuff like this.
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Once they lose that credibility they lose the ability to control prices and that credibility has started to slip away.
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I left the conversation pretty much up to him. That way I would be fresher, and he's so good at this. I didn't want to prepare or spin anything. I just jumped in and let him take it wherever it went.
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They have to get compliance in order. With six million barrels a day of spare capacity they don't have any credibility in the market unless they can control spare capacity,
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It's interesting - in 'Fail Safe,' as well, they didn't back off. We were raised with kind of this spectrum of that Armageddon and lived under it, so those were probably the films. 'Fail Safe' sort of haunted me.
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There's something so wonderful about writing in rhyme where it isn't just the meaning of the words, it's the music to the words and the shape and the sound.
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You can't have these sort of prices without a substantial effect on demand.
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They're playing with fire and it looks like they're going to get their fingers burned.