Gary Numan
Gary Numan
Gary Anthony James Webb, better known professionally as Gary Numan, is an English singer, songwriter, musician and record producer. Born in Hammersmith, London, he first entered the music industry as the lead singer of the new wave band Tubeway Army. After releasing two albums with the band, Numan released his debut solo album The Pleasure Principle in 1979. Most widely known for his chart-topping hits "Are 'Friends' Electric?" and "Cars", Numan achieved his peak of mainstream popularity in the late...
NationalityBritish
ProfessionPop Singer
Date of Birth8 March 1958
The reason I started, and got into playing punk as a band was quite mercenary, to be honest. I wanted a record deal and everybody was signing punk bands, so I started doing it. My own weak pop version of it really, we weren't particularly good or convincing, but that's what I did, and it worked and I got a deal.
Without doubt, there are unexpected pressures that come with success, that I would be surprised if many people are prepared for, or even aware of beforehand, that takes getting used to. But then again, when you're doing very well, you earn a great deal of money so at least you can sit there worrying in a nice big house, rather than a little house.
When I went to record my first album, which should have been a punk album, there was a synthesiser in the control room. I'd never seen one before but they let me have a go on it and I loved it to bits.
Fame came quickly. I was only 19 when I secured my initial recording contract and my first two hit records - 'Are 'Friends' Electric?' and 'Cars' - were number ones.
I got involved in music because I love everything about it, but now I'm in it you see the other side and it isn't much fun. Not as glamorous and enjoyable as you imagine.
I became an air display pilot. I used to teach it. I was an examiner for a few years as well. It was great fun. I would still be doing it now if pretty much everyone I knew who was doing it hadn't died. In the first team I joined there were six people in it. By the time I stopped, there was only me and one other left - everyone else had died.
I think that when we are dead, we are worm food, I don't believe there is a greater place. I don't believe there is a greater purpose or a greater being. I have none of that. I wish I did to some degree, because the older I'm getting, the more I am aware of death and the inevitability of it, and it frightens me now, in a way that it didn't when I was younger.
I did an album a long time ago called 'Replicas,' which was entirely science-fiction driven, or science-fantasy. Since then it's been a song here, a song there. It's not really a constant theme. I've written far more about my problems with religion, with God and all that.
For years I couldn't understand why people thought I was so arrogant - now it all makes a bit more sense.
There does seem to be a kind of split. There are those people who are more entrenched in the early electronic years, and new people who have come to it because of people like Nine Inch Nails and Marilyn Manson.
I would never take part in one of those Eighties nostalgia tours, although I've been asked many times, because it's like admitting you have nothing new to offer. As long as I can keep making music I'm happy with, and people want to come to my gigs to hear it, I'll carry on.
I always say it took me 10 minutes to write 'Cars,' but if I am honest it could have been even less than that - and it has been a really successful song over the years. It is still massively used, in advertising, in films, and people do cover versions of it a lot.
Ultravox were the blueprint for what I wanted to do, but I stumbled across them by accident.
I'm very lucky in the sense that I've got a voice that's distinctive. Not good, but distinctive. That's a very useful thing to have in this business. I'm glad on the one hand that I've got it, but I wish it was more powerful. I wish I had a greater range. I wish it was more accurate at times.