Garrison Keillor
Garrison Keillor
Gary Edward "Garrison" Keilloris an American author, storyteller, humorist, radio actor, voice actor, and radio personality. He is known as creator of the Minnesota Public Radio show A Prairie Home Companion, which he hosted from 1974 to 2016. Keillor created the fictional Minnesota town Lake Wobegon, the setting of many of his books, including Lake Wobegon Days and Leaving Home: A Collection of Lake Wobegon Stories. Other creations include Guy Noir, a detective voiced by Keillor who appeared in A...
NationalityAmerican
ProfessionRadio Host
Date of Birth7 August 1942
CityAnoka, MN
CountryUnited States of America
There was a price to be paid for being interested in fiction and in writing, pushing my family away. Books and authors became my family.
I don't associate work with feelings of satisfaction. Rather, guilt, frustration, and resentment of people who write better than I do.
I write on a laptop, so it's impossible to count drafts anymore.
You don't want to get that sort of sound in your writing that boing that gives you away.
I love rhymes; I love to write a poem about New York and rhyme 'oysters' with 'The Cloisters.' And 'The lady from Knoxville who bought her brassieres by the boxful.' I just feel a sort of small triumph.
I can write anywhere. I write in airports. I write on airplanes. I've written in the back seats of taxis. I write in hotel rooms. I love hotel rooms. I just write wherever I am whenever I need to write.
For me, the monologue was the favorite thing I had done in radio. It was based on writing, but in the end it was radio, it was standing up and leaning forward into the dark and talking, letting words come out of you.
I write for a radio show that, no matter what, will go on the air Saturday at five o'clock central time. You learn to write toward that deadline, to let the adrenaline pick you up on Friday morning and carry you through, to cook up a monologue about Lake Wobegon and get to the theater on time.
I think that if writers are tempted to do other things, they ought to go do other things. They should not write if they don't feel like it. I say this as a competitor. I am not interested in encouraging people who are in competition with me.
No innocent man buys a gun, and no happy man writes his memoirs.
We writers don't really think about whether what we write is good or not. It's too much to worry about. We just put the words down, trying to get them right, operating by some inner sense of pitch and proportion, and from time to time, we stick the stuff in an envelope and ship it to an editor.
I've wanted to be a writer since I was a boy, though it seemed an unlikely outcome since I showed no real talent. But I persevered and eventually found my own row to hoe. Ignorance of other writers' work keeps me from discouragement and I am less well-read than the average bus driver.
When writing loses touch with the beautiful surface of the world, it loses its way. You always want to be in touch with how things look and what people say and what they call their dogs.
A young writer is easily tempted by the allusive and ethereal and ironic and reflective, but the declarative is at the bottom of most good writing.