Francesca Lia Block

Francesca Lia Block
Francesca Lia Blockis an American writer of adult and young-adult literature: fiction, short stories, screenplays and poetry. She is known best for the Weetzie Bat series — named after its first installment and her first novel, which she wrote while a UC Berkeley student, Weetzie Bat. She is known for her use of imagery, especially in describing the city of Los Angeles. One New York Times Book Review critic said, "Block writes about the real Los Angeles better than anyone...
NationalityAmerican
ProfessionAuthor
Date of Birth3 December 1962
CountryUnited States of America
Pianos, unlike people, sing when you give them your every growl. They know how to dive into the pit of your stomach and harmonize with your roars when you’ve split yourself open. And when they see you, guts shining, brain pulsing, heart right there exposed in a rhythm that beats need need, need need, need need, pianos do not run. And so she plays.
My heart is a teacup with hairline cracks. I feel like I have to walk real carefully so it won't get shaken and just all shatter and break.
If Los Angeles is a woman reclining billboard model with collagen-puffed lips and silicone-inflated breasts, a woman in a magenta convertible with heart-shaped sunglasses and cotton candy hair; if Los Angeles is this woman, then the San Fernando Valley is her teenybopper sister. The teenybopper sister snaps bug stretchy pink bubbles over her tongue and checks her lipgloss in the rearview mirror, . . . Teeny plays the radio too loud and bites her nails, wondering if the glitter polish will poison her.
All the things that girls feel they are not when they fear that if they become, if they are, they will no longer be loved by the sisters whose hearts they have not meant to break. And besides, if the sisters are gone and only the beloved remains with his dense curls and his lips, how safe are you then? You have to have him or you will die if the sisters are gone with their listening ears and their feet to rub and their bodies to dress and their shared loneliness.
I wrote poetry from the time I could write. That was the only way I could begin to express who I was but the poems didn't make sense to my teachers. They didn't rhyme. They were about the wind sounds, the planets' motions, never about who I was or how I felt. I didn't think I felt anything. I was this mind more than a body or a heart. My mind photographing the stars, hearing the wind.
What happens to the rest of something when you smash its heart?
You are my Marilyn. You are my lake full of fishes. You are my sky set, my 'Hollywood in Miniature,' my pink Cadillac, my highway, my martini, the stage for my heart to rock and roll on, the screen where my movies light up.
We got quiet. The garden was combing her hair and putting on earrings. The house was full of dancing creatures, not male and female but both, two lovers in one body. The books downstairs were reciting their poetry to each other, rubbing together, whispering through the leather covers. Wine was flowing through the water pipes. You had caught my leaping heart in your hand like a fish.
What shall we do, all of us? All of us oassionate girls who fear crushing the boys we love with our mouths like caverns of teeth, our mushrooming brains, our watermelon hearts?
You turned your head to look at me. Your eyes looked so big in your face, so mysterious — wide and flickering like a butterfly-wing mask. When you saw me the wails turned to sobs, and then just quieter heaves of your body. I held out my finger through the bars. Then you reached out and curled your fingers around mine, so tight. I knew you recognized me. That was the first time I knew I had a heart inside my body.
You're meant to have whatever your heart desires. Whatever your heart wants that much is already a part of you.
I'd sit around dreaming that the boys I saw at shows or at work - the boys with silver earrings and big boots - would tell me I was beautiful, take me home and feed me Thai food or omelets and undress me and make love to me all night with the palm trees whispering windsongs about a tortured gleaming city and the moonlight like flame melting our candle bodies.
Under the pink Harlequin sunglasses strawberry dangling charms, and sugar-frosted eyeshadow she was really almost beautiful.
I love Sylvia Plath and Anne Sexton. I also love more cerebral poets like H.D. and Emily Dickinson. My parents subscribed to a monthly poetry periodical, and as a teenager I was introduced to Denise Levertov, who was an influence.