Flannery O'Connor
Flannery O'Connor
Mary Flannery O'Connorwas an American writer and essayist. An important voice in American literature, she wrote two novels and 32 short stories, as well as a number of reviews and commentaries. She was a Southern writer who often wrote in a Southern Gothic style and relied heavily on regional settings and grotesque characters. Her writing also reflected her own Roman Catholic faith and frequently examined questions of morality and ethics. Her posthumously-compiled Complete Stories won the 1972 U.S. National Book...
NationalityAmerican
ProfessionNovelist
Date of Birth25 March 1925
CitySavannah, GA
CountryUnited States of America
... the man in the violent situation reveals those qualities least dispensable in his personality, those qualities which are all he will have to take into eternity with him.
The Catholic novelist in the South will see many distorted images of Christ, but he will certainly feel that a distorted image of Christ is better than no image at all. I think he will feel a good deal more kinship with backwoods prophets and shouting fundamentalists than he will with those politer elements for whom the supernatural is an embarrassment and for whom religion has become a department of sociology or culture or personality development.
He knew something was going to happen and his entire system was waiting on it. He thought it was going to be one of the supreme moments in life but apart from that, he didn't have the vaguest notion what it might be. He pictured himself, after it was over, as an entirely new man, with an even better personality than he had now. He sat there for about fifteen minutes and nothing happened.
In most good stories, it is the character's personality that creates the action of the story. If you start with real personality, a real character, then something is bound to happen.
The two worst sins of bad taste in fiction are pornography and sentimentality. One is too much sex and the other too much sentiment.
Go warn the children of God of the terrible speed of mercy,
Even in the life of a Christian, faith rises and falls like the tides of an invisible sea. It's there, even when he can't see it or feel it, if he wants it to be there. You realize, I think, that it is more valuable, more mysterious, altogether more immense than anything you can learn or decide upon It will keep you free - not free to do anything you please, but free to be formed by something larger than your own intellect or the intellects around you.
I feel that discussing story-writing in terms of plot, character, and theme is like trying to describe the expression on a face by saying where the eyes, nose, and mouth are.
It is popular to believe that in order to see clearly one must believe nothing. This may work well enough if you are observing cells under a microscope. It will not work if you are writing fiction. For the fiction writer, to believe nothing is to see nothing.
There is a question whether faith can or is supposed to be emotionally satisfying. I must say that the thought of everyone lolling about in an emotionally satisfying faith is repugnant to me. I believe that we are ultimately directed Godward but that this journey is often impeded by emotion
Either practice restraint or be prepared for crowding
There won't be any biographies of me because, for only one reason, lives spent between the house and the chicken yard do not make exciting copy.
Nobody with a good car needs to be justified.
Well, if it's a symbol, to hell with it.