F. Scott Fitzgerald
F. Scott Fitzgerald
Francis Scott Key Fitzgerald, known professionally as F. Scott Fitzgerald, was an American novelist and short story writer, whose works are the paradigmatic writings of the Jazz Age. He is widely regarded as one of the greatest American writers of the 20th century. Fitzgerald is considered a member of the "Lost Generation" of the 1920s. He finished four novels: This Side of Paradise, The Beautiful and Damned, The Great Gatsby, and Tender Is the Night. A fifth, unfinished novel, The...
NationalityAmerican
ProfessionNovelist
Date of Birth24 September 1896
CitySaint Paul, MN
CountryUnited States of America
Her fine high forehead sloped gently up to where her hair, bordering it like an armorial shield, burst into lovelocks and waves and curlicues of ash blonde and gold. Her eyes were bright, big, clear, wet and shining, the colour of her cheeks was real, breaking close to the surface from the strong young pump of her heart. Her body hovered delicately on the last edge of childhood -- she was almost eighteen, nearly complete, but the dew was still on her.
Sometimes I don't know whether I'm real or whether I'm a character in one of my novels.
He hadn’t once ceased looking at Daisy, and I think he revalued everything in his house according to the measure of response it drew from her well-loved eyes. Sometimes, too, he stared around at his possessions in a dazed way, as though in her actual and astounding presence none of it was any longer real.
When we pulled out into the winter night and the real snow, our snow, began to stretch out beside us and twinkle against the windows, and the dim lights of small Wisconsin stations moved by, a sharp wild brace came suddenly into the air. That's my middle-west - not the wheat or the prairies or the lost Swede towns, but the thrilling returning trains of my youth and the street lamps and sleigh bells in the frosty dark and the shadows of holly wreaths thrown by lighted windows on the snow.
For a while these reveries provided an outlet for his imagination; they were a satisfactory hint of the unreality of reality, a promise that the rock of the world was founded securely on a fairy's wing.
A new world, material without being real, where poor ghosts, breathing dreams like air, drifted fortuitously about.
Now the standard cure for one who is sunk is to consider those in actual destitution or physical suffering—this is an all-weather beatitude for gloom in general and fairly salutary day-time advice for everyone. But at three o’clock in the morning, a forgotten package has the same tragic importance as a death sentence, and the cure doesn’t work—and in a real dark night of the soul it is always three o’clock in the morning, day after day.
He must have felt that he had lost the old warm world, paid a high price for living too long with a single dream. He must have looked up at an unfamiliar sky through frightening leaves and shivered as he found what a grotesque thing a rose is and how raw the sunlight was upon the scarcely created grass. A new world, material without being real, where poor ghosts, breathing dreams like air, drifted fortuitously about...like that ashen, fantastic figure gliding toward him through the amorphous trees.
Either you think or else others have to think for you and take power from you.
He's a bootlegger....One time he killed a man who found out that he was nephew to Von Hindenburg and second cousin to the devil.
Trouble has no necessary connection with discouragement -- discouragement has a germ of its own, as different from trouble as arthritis is different from a stiff joint.
Nick, on the Buchanans: ""They were careless people, Tom and Daisy -- they smashed up things and creatures and then retreated back into their money or their vast carelessness or whatever it was that kept them together, and let other people clean up the mess they had made
Writers aren't exactly people...they're a whole lot of people trying to be one person.
To the wingless a more interesting phenomenon is their (W/E Egg) dissimilarity in every particular except shape and size.