Ezra Pound

Ezra Pound
Ezra Weston Loomis Poundwas an expatriate American poet and critic, and a major figure in the early modernist movement. His contribution to poetry began with his development of Imagism, a movement derived from classical Chinese and Japanese poetry, stressing clarity, precision and economy of language. His best-known works include Ripostes, Hugh Selwyn Mauberleyand the unfinished 120-section epic, The Cantos...
NationalityAmerican
ProfessionPoet
Date of Birth30 October 1885
CityHailey, ID
CountryUnited States of America
That text is known to them that have the patience to read it, possibly one one-hundredth of one percent of the denizens. They forget it, all save a few Western states. I think somebody in Dakota once read it. The Constitution.
I think an alliance with Stalin's Russia is rotten.
Mass ought to be in Latin, unless you could do it in Greek or Chinese. In fact, any abracadabra that no bloody member of the public or half-educated ape of a clargimint could think he understood.
The curse of me and my nation is that we always think things can be bettered by immediate action of some sort, any sort rather than no sort.
The individual cannot think and communicate his thought, the governor and legislator cannot act effectively or frame his laws without words, and the solidity and validity of these words is in the care of the damned and despised litterati...when their very medium, the very essence of their work, the application of word to thing goes rotten, i.e. becomes slushy and inexact, or excessive or bloated, the whole machinery of social and of individual thought and order goes to pot.
You let me throw the bricks through the front window. You go in at the back and take the swag.
It is difficult to write a paradise when all the superficial indications are that you ought to write an apocalypse. It is obviously much easier to find inhabitants for an inferno or even a purgatorio.
The art of letters will come to an end before A.D. 2000. I shall survive as a curiosity.
Men do not understand books until they have had a certain amount of life, until they have seen and lived at least part of their contents
One measure of a civilization, either of an age or of a single individual, is what that age or person really wishes to do. A man's hope measures his civilization. The attainability of the hope measures, or may measure, the civilization of his nation and time.
Man is an over-complicated organism. If he is doomed to extinction he will die out for want of simplicity.
There is no reason why the same man should like the same books at eighteen and forty-eight.
Tis not need we know our every thought or see the work shop where each mask is wrought wherefrom we view the world of box and pit, careless of wear, just so the mask shall fit and serve our jape's turn for a night or two.
Men do not understand books until they have a certain amount of life, or at any rate no man understands a deep book, until he has seen and lived at least part of its contents.