Evan Osnos
Evan Osnos
Evan Lionel Richard Osnosis an American journalist and author. He has been a staff writer at The New Yorker since 2008, best known for his coverage of China. He is the author of Age of Ambition: Chasing Fortune, Truth, and Faith in the New China, which won the 2014 National Book Award for nonfiction...
NationalityAmerican
ProfessionJournalist
Date of Birth24 December 1976
CountryUnited States of America
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To my surprise, the more I searched about Qi Xiangfu, the more I found of a life lived partly online. He once wrote a short memoir in which he described himself in the third person, with the formality usually reserved for China's most famous writers.
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When I lived in Beijing in 1996, it was a horizontal city. If you wanted to go out for a burger, if you wanted to really treat yourself, you went to this place called the Jianguo Hotel. The architect had proudly described it as a perfect replica of a Holiday Inn that he had seen in Palo Alto, California.
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In the final years of his life, when former Communist Party Chief Zhao Ziyang lived under house arrest, in Beijing, his aging friends resorted to donning white doctors' coats in order to slip past the guards stationed outside his home.
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We binge on instant knowledge, but we are learning the hazards, and readers are warier than they used to be of nanosecond-interpretations of Supreme Court decisions.
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When I moved to Beijing in 2005 to write, I was accustomed to hearing the story of China's transformation told in vast, sweeping strokes - involving one fifth of humanity and great pivots of politics and economics.
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Living in Beijing, writing about politically sensitive things now and then, you get used to the idea that somebody, somewhere, might be watching. But it is usually an abstract threat.
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Living abroad has heightened my interest in how foreigners regard the strange places we encounter.
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I think there's a tendency, and it's an understandable tendency, to imagine that China makes decisions out of a grand strategy. The reality is that I think China today is operating, most of all, based on its domestic needs.
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When the British-Malaysian photographer Ian Teh first worked in China, more than a decade ago, he rendered it as a nation of people in Technicolor.
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Over the centuries, Chinese bureaucrats perfected the dark arts of emptiness to such an extent that when they deliver speeches these days, they often recite verbatim speeches that they have previously delivered, with the sparest of adjustments.
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Usually when you interview somebody for a number of hours, they'll say something that is self-aggrandizing or is a manipulation of the facts.
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Once I became interested in China, I flew to Beijing in 1996 to spend half a year studying Mandarin. The city stunned me.
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It's worth being clear - you know, I think that the ideas that somebody like Richard Spencer endorses and that other members of the self-identified white nationalist groups endorse - those ideas really are repellent to most people.
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The fastest way to get around the southern Chinese city of Foshan is on the back of a motorcycle-for-hire.