Etgar Keret
Etgar Keret
Etgar Keretis an Israeli writer known for his short stories, graphic novels, and scriptwriting for film and television...
NationalityIsraeli
ProfessionWriter
Date of Birth20 August 1967
CountryIsrael
character writing plot
Making up characters and places and plots, unlike fixing your plumbing or doing dishes, is anything but practical or rational. I write what needs to be written the way that seems genuinely right.
book character unique
When my books were translated, it was always about the characters, because the unique language aspect was lost in translation.
fall character destiny
To what extent does anybody control his destiny? Life is very much like falling of the edge of a cliff. You have complete freedom to make all the choices you want to take on your way down. My characters choose to yearn and not lose hope even when the odds are completely against them. It doesn't make the landing at the end of that fall any less painful but, somehow, it helps them keep a little dignity their bone broken body.
independent character return
I rarely return to characters. My characters, at least most of them, are much more a part of that superorganism that is the story than separate and independent creatures.
character giving world
Before I started to make films, I didn't give much thought to the way the characters were physically positioned in the story world.
liberating
When I write a story, I have no idea what I'm doing. All I know is that I want to share something with my readers. The whole idea of writing is this place where you lose control, where you're irresponsible - it's a very liberating place.
thinking civilization games
I think that any authentic feeling one has of life should be a feeling of defeat. It's a losing game. You're going to die. Civilization is going to end. Our society is in decline, and we should feel OK about it because Roman society was in decline and before it the Assyrian one was, and they disappeared off this earth and we will disappear too.
hurt powerful writing
I've always had a very developed superego. I also had a very powerful id, but there was no ego in the middle. So writing was always like letters sent from the id to the superego, saying, "What's going on here?" What I loved about writing was that I was totally weightless. I was amazed at the fact that I could be myself without being afraid that anyone would get hurt.
stories sometimes make-sense
Sometimes the stories are smarter than me, and suddenly these things start to make sense.
writing passion america
In America, where writers are preoccupied with the craft of writing, I always try to introduce this concept of the badly written good story. Turning the hierarchy around and putting passion on top and not craft, because when you just focus on craft, you can write something that is very sterile.
frozen hebrew peas
Hebrew was frozen, like frozen peas, fresh out of the Bible.
writing important clarity
Often in writing programs, articulation and clarity are more important than what you actually say.
people stories type
The best stories you usually hear are stories that people feel some type of urgency about.
writing law space
Nobody else in the world would look at writing as craftsmanship - it's totally this Protestant hardworking ethic. You go into this kind of infinite space of imagination and you fence yourself in with all kinds of laws.