Esa-Pekka Salonen
Esa-Pekka Salonen
Esa-Pekka Salonen: ; born June 30, 1958) is a Finnish orchestral conductor and composer. He is currently Principal Conductor and Artistic Advisor of the Philharmonia Orchestra in London, Conductor Laureate of the Los Angeles Philharmonic, Composer-In-Residence at the New York Philharmonic, and Artistic Director and cofounder of the Baltic Sea Festival...
NationalityFinnish
ProfessionMusician
Date of Birth30 June 1958
CountryFinland
religious thinking ideas
I think truth as an idea should be left to the philosophers and perhaps religious leaders and politicians, and professional people who deal with that idea.
team thinking ideas
I like this idea of identification with the local team. I think it's great. That's what an orchestra should be. It's an orchestra for its hometown, and it serves the people.
art europe ideas
In Europe, there is so much tradition, and everyone has established ideas as to what art should be and what it has always been.
ideas typical form
The Northern idea of form is more of a process. The various units of the form overlap. You can't tell where some things stop and new things start. This is typical of Sibelius.
hands class ideas
We're dealing with music that is being played by traditional instruments in a specifically built building called a concert hall. But classical is not - the reference is wrong, because classical on one hand refers to one period in musical history, which is Mozart, Hayden, Beethoven, which is a fine period in musical history, but it was a while ago.On the other hand, it sort of alludes to some kind of "class," which A, is not true; B, is kind of detrimental to the whole idea. Because the point is that this music is available and it's actually relatively reasonably priced.
ideas jumping watches
As we watch TV or films, there are no organic transitions, only edits. The idea of A becoming B, rather than A jumping to B, has become foreign.
ideas house trying
Every orchestra I know, every opera house I know, is desperately looking around trying to find new talent, new composing talent, supporting young composers, supporting new ideas, supporting new ways of getting the message across.
based experience modern odds performance visual
If the seams are showing, there is something wrong with the performance or the construction of the piece. This idea is completely at odds with our modern visual experience, because everything today is based on montage.
functions los people
Los Angeles is just a more open place. The way L.A. functions is that people give you a forum. They say, Show us what you can do.
barely hall quietly scary seats
The players never think they project enough. In a hall that seats 3,300 people, it's a very scary thing to play so quietly that you can barely hear yourself.
english-musician
After working with Ligeti I began to hear Brahms and Beethoven differently.
music people rite
When we're at the end of The Rite of Spring or of a Bruckner symphony, I want people to feel the music physically.
certain musician next relates
The sound was my greatest concern. There were certain difficulties getting used to the way every musician can hear his or herself, the way each of them relates to the musician in the next seat.
continuity form
This continuity of sound and form was something that I became really interested in from working with Ligeti. He was always going on about how form has to be continuous.