Ernest Hemingway

Ernest Hemingway
Ernest Miller Hemingwaywas an American novelist, short story writer, and journalist. His economical and understated style had a strong influence on 20th-century fiction, while his life of adventure and his public image influenced later generations. Hemingway produced most of his work between the mid-1920s and the mid-1950s, and won the Nobel Prize in Literature in 1954. He published seven novels, six short story collections, and two non-fiction works. Additional works, including three novels, four short story collections, and three non-fiction...
NationalityAmerican
ProfessionNovelist
Date of Birth21 July 1899
CityOak Park, IL
CountryUnited States of America
The writer must write what he has to say, not speak it.
Writing, at its best, is a lonely life. Organizations for writers palliate the writer's loneliness, but I doubt if they improve his writing. He grows in public stature as he sheds his loneliness and often his work deteriorates. For he does his work alone and if he is a good enough writer he must face eternity, or the lack of it, each day.
I have tried simply to write the best I can. Sometimes I have good luck and write better than I can.
The ocean is worth writing about just as man is.
Some writers are only born to help another writer write one sentence.
The good parts of a book may be only something a writer is lucky enough to overhear or it may be the wreck of his whole damn life - and one is as good as another.
Real seriousness in regard to writing is one of two absolute necessities. The other, unfortunately, is talent.
A writer's problem does not change. He himself changes and the world he lives in changes but his problem remains the same. It is always how to write truly and having found what is true, to project it is such a way that it becomes a part of the experience of the person who reads it.
The best way to become a writer is to go off and write.
Having books published is very destructive to writing.
The parody is the last refuge of the frustrated writer. Parodies are what you write when you are associate editor of the Harvard Lampoon. The greater the work of literature, the easier the parody. The step up from writing parodies is writing on the wall above the urinal.
Writing is something that you can never do as well as it can be done. It is a perpetual challenge and it is more difficult than anything else that I have ever done.
The best way is to read it all every day from the start, correcting as you go along, then go on from where you stopped the day before. When it gets so long that you can't do this every day read back two or three chapters each day; then each week read it all from the start. That's how you make it all of one piece.
Wearing down seven number two pencils is a good day's work.