Ernest Hemingway

Ernest Hemingway
Ernest Miller Hemingwaywas an American novelist, short story writer, and journalist. His economical and understated style had a strong influence on 20th-century fiction, while his life of adventure and his public image influenced later generations. Hemingway produced most of his work between the mid-1920s and the mid-1950s, and won the Nobel Prize in Literature in 1954. He published seven novels, six short story collections, and two non-fiction works. Additional works, including three novels, four short story collections, and three non-fiction...
NationalityAmerican
ProfessionNovelist
Date of Birth21 July 1899
CityOak Park, IL
CountryUnited States of America
wonder what day god created the egg' 'how should we know? we should not question. our stay on earth is not for long. let us rejoice and believe and give thanks'. 'eat a egg
It could be worse,' Passini said respectfully. "There is nothing worse than war." Defeat is worse." I do not believe it," Passini said still respectfully. "What is defeat? You go home.
I have watched them all day and they are the same men that we are. I believe that I could walk up to the mill and knock on the door and I would be welcome except that they have orders to challenge all travelers and ask to see their papers. It is only orders that come between us. Those men are not fascists. I call them so, but they are not. They are poor men as we are. They should never be fighting against us and I do not like to think of the killing.
It is silly not to hope, besides I believe it is a sin." The Old Man and the Sea
A severed femoral artery empties itself faster than you can believe.
It is impossible to believe the emotional and spiritual intensity and pure, classic beauty that can be produced by a man, an animal, and a piece of scarlet serge draped over a stick.
i believe that basically you write for two people; yourself to try and make it absolutely perfect; or if not that then wonderful. then you write for who you love whether they can read or write or not and whether they are alive or dead.
Survival, with honor, that outmoded and all-important word, is as difficult as ever and as all-important to a writer. Those who do not last are always more beloved since no one has to see them in their long, dull, unrelenting, no-quarter-given-and-no-quarter-received, fights that they make to do something as they believe it should be done before they die. Those who die or quit early and easy and with every good reason are preferred because they are understandable and human. Failure and well-disguised cowardice are more human and more beloved.
I’m trying in all my stories to get the feeling of the actual life across—not to just depict life—or criticize it—but to actually make it alive. So that when you have read something by me you actually experience the thing. You can’t do this without putting in the bad and the ugly as well as what is beautiful. Because if it is all beautiful you can’t believe in it. Things aren’t that way.
I was so sentimental about you I'd break any one's heart for you. My, I was a damned fool. I broke my own heart, too. It's broken and gone. Everything I believe in and everything I cared about I left for you because you were so wonderful and you loved me so much that love was all that mattered. Love was the greatest thing, wasn't it?
The writer must write what he has to say, not speak it.
The world breaks everyone and afterwards many are strong at the broken places
The world breaks everyone and afterward many are stronger at the broken places.
The world breaks everyone and afterward many are strong at the broken places. But those that will not break it kills. It kills the very good and the very gentle and the very brave impartially. If you are none of these you can be sure that it will kill you too, but there will be no special hurry.