Erin Morgenstern
Erin Morgenstern
Erin Morgensternis an American multimedia artist and the author of a successful fantasy novel, The Night Circus. It was published in more than a dozen languages by 2013 and won the annual Locus Award for Best First Novel...
NationalityAmerican
ProfessionWriter
Date of Birth8 July 1978
CountryUnited States of America
writing thinking challenges
I binge write. I think it's because I started seriously writing by participating in National Novel Writing Month, an online-based challenge to write 50,000 words in 30 days.
book teaching writing
This is, in part, why there is less magic in the world today. Magic is secret and secrets are magic, after all, and years upon years of teaching and sharing magic and worse. Writing it down in fancy books that get all dusty with age has lessened it, removed its power bit by bit.
book writing order
I don't always write in order, so composing multi-book stories could get complicated.
book reading writing
The boy spends most of his time reading. And writing, of course. He copies out sections of books, writes out words and symbols he does not understand at first but that become intimately familiar beneath his ink-stained fingers, formed again and again in increasingly steady lines.
writing evil people
People are naive about such things, and they would rather write them off as evil than attempt to understand them. An unfortunate truth, but a truth nonetheless.
writing paint found
I paint very messy. I throw paint around. So when I let myself do the same sort of thing with my writing, and I would just write and write and write and revise, that's when I found my rhythm in writing.
writing brain different
Sometimes I write what I can't paint, and I paint what I can't write. I use a different part of the brain.
nice writing careers
It's helpful for me to get ideas - the physical action of painting. Sometimes it frees up your writer brain. It's nice for me now that the writing has become a serious career that painting can become more like a hobby.
writing emotional vivid-imagination
I'm an emotional sort of person in general and I have a vivid imagination, so I feel the whole spectrum of emotion strongly when I write.
real eye writing
Secrets have power. And that power diminishes when they are shared, so they are best kept and kept well. Sharing secrets, real secrets, important ones, with even one other person, will change them. Writing them down is worse, because who can tell how many eyes might see them inscribed on paper, no matter how careful you might be with it. So it's really best to keep your secrets when you have them, for their own good, as well as yours.
best composing felt individual likely might stories three trilogy volumes work
If I had a story idea that I felt would work best in three volumes I might write a trilogy eventually. I'd very likely write it all at once, though, so I could work on it as a whole and not broken into individual volumes. I don't always write in order, so composing multi-book stories could get complicated.
bit figure plot
Plot is not my forte. It's like I have to live in my head in the book for a while before I figure out what the story is... My process is a bit messier.
likely volume
I'm working on something that's not yet novel-shaped but is something of a film-noir-flavored 'Alice in Wonderland.' It will also very likely be a single volume story and not the start of a series.
forth input mode output phases soak trying
I go back and forth between input phases where I'm reading a lot or trying to get out and explore the world a bit and soak up inspirations and then I'll get back into output mode and write and write and write.