Erin Morgenstern
Erin Morgenstern
Erin Morgensternis an American multimedia artist and the author of a successful fantasy novel, The Night Circus. It was published in more than a dozen languages by 2013 and won the annual Locus Award for Best First Novel...
NationalityAmerican
ProfessionWriter
Date of Birth8 July 1978
CountryUnited States of America
stars hands people
They are enthusiasts, devotees. Addicts. Something about the circus stirs their souls, and they ache for it when it is absent. They seek each other out, these people of such specific like mind. They tell of how they found the circus, how those first few steps were like magic. Like stepping into a fairy tale under a curtain of stars… When they depart, they shake hands and embrace like old friends, even if they have only just met, and as they go their separate ways they feel less alone than they had before.
hands air scar
I am already married," she remarks to the empty air, twisting the ring on her right hand that covers an sold, distinctive scar.
hands legs would-be
I do not see as well without her. I do not hear as well without her. I do not feel as well without her. I would be better off without a hand or a leg than without my sister.
eye hands wind
Celia." he says without looking up at her, "why do we wind our watch?" "Because everything requires energy," she recites obediently, eyes still focused on her hand. "We must put effort and energy into anything we wish to change.
best composing felt individual likely might stories three trilogy volumes work
If I had a story idea that I felt would work best in three volumes I might write a trilogy eventually. I'd very likely write it all at once, though, so I could work on it as a whole and not broken into individual volumes. I don't always write in order, so composing multi-book stories could get complicated.
bit figure plot
Plot is not my forte. It's like I have to live in my head in the book for a while before I figure out what the story is... My process is a bit messier.
likely volume
I'm working on something that's not yet novel-shaped but is something of a film-noir-flavored 'Alice in Wonderland.' It will also very likely be a single volume story and not the start of a series.
forth input mode output phases soak trying
I go back and forth between input phases where I'm reading a lot or trying to get out and explore the world a bit and soak up inspirations and then I'll get back into output mode and write and write and write.
arc complete feels single stretch
I feel 'The Night Circus' has a complete story arc in one book. I like it as a single volume. It feels complete to me, and I wouldn't want to stretch it out into something it's not.
freeing instead result shiny
Writing in a near-frenzy is wonderful and freeing but, for me, it does not result in a nice shiny novel. Instead what I have is a mess.
frenzy near result shiny
Writing in a near frenzy is wonderful and freeing, but for me, it did not result in a nice, shiny novel. Instead, what I have is a mess.
majority obliged order particular searching shop vast writer
I don't have any particular rituals, I sometimes like to write in longhand when I'm searching for ideas but I do the vast majority by typing, I can't always keep up with my thoughts longhand. I'm not a coffee shop writer because I feel obliged to order more coffee and then I end up over-caffeinated.
anymore tight time
I don't have as tight a time limit anymore but I still write in long marathon sessions and then I won't write for a while, I'm not a write-every-day writer.
adult books eventually growing missed section seemed stuck wandered worked
When I was growing up, if there was a Young Adult section of my town's library, I missed it. I wandered right from 'The Babysitter's Club' over to Stephen King. His books were big and fat and they seemed important. I eventually worked my way through most of the shelf, but 'It' is the one that stuck with me.