Erica Jong

Erica Jong
Erica Jongis an American novelist and poet, known particularly for her 1973 novel Fear of Flying. The book became famously controversial for its attitudes towards female sexuality and figured prominently in the development of second-wave feminism. According to Washington Post, it has sold more than 20 million copies worldwide...
NationalityAmerican
ProfessionNovelist
Date of Birth26 March 1942
CityNew York City, NY
CountryUnited States of America
As women, we can't look old. We can't be fat. We're supposed to look like the 14-year-old models in Vogue, who are younger and younger and skinnier and skinnier, and they are air-brushed and contoured and Photoshopped.
What makes a Man love Death, Fanny? Is it because he hopes to avert his own by watchin' the Deaths of others? Doth he hope to devour Death by devourin' Executions with his Eyes? I'll ne'er understand it, if I live to be eight hundred Years. The Human Beast is more Beast than Human, 'tis true ...
When I was a ten-year old bookworm and used to kiss the dust jacket pictures of authors as if they were icons, it used to amaze me that these remote people could provoke me to love.
It took me years to learn to sit at my desk for more than two minutes at a time, to put up with the solitude and the terror of failure, and the godawful silence and the white paper.
You must have a certain amount of maturity to be a poet. Seldom do sixteen-year-olds know themselves well enough.
I went for years not finishing anything. Because, of course, when you finish something you can be judged...I had poems which were re-written so many times I suspect it was just a way of avoiding sending them out.
In a bad marriage, friends are the invisible glue. If we have enough friends, we may go on for years, intending to leave, talking about leaving -instead of actually getting up and leaving.
It was unimaginable what happens to you when you get known for a book that everybody reads, or that everybody has heard of. If the book is said to be sexy, the crazies come out of the woodwork.
Sexism kind of predisposes us to see men's work as more important than women's, and it is a problem, I guess, as writers, we have to change.
If you don't risk anything, you risk even more.
I think that Sappho expresses the orphaned part of ourselves. The orphaned part of ourselves that reaches out to passion for completion. That reaches out to motherhood for completion.
I do a lot of teaching... and so I think I know how hard it is for young writers, how they have to work two jobs to survive.
I've never been able to control my public image.
The trouble is, if you don't risk anything, you risk even more.