Eric Fellner
Eric Fellner
Eric Fellner, CBE is an English film producer. He is the co-chairmanof the production company Working Title Films...
NationalityBritish
ProfessionProducer
want film middle
That middle ground of films used to be 70, 80, 90, 100; now it's like anything over 20 or under 140, the middle ground has become this huge area where they don't really want to be.
fall dvds film
Now there's always exceptions to that and the reason is if the film doesn't really work, whereas before you could rely on a decent amount of DVD sales to prop up the revenue to ensure that you got out in a decent manner, now if the film doesn't work, the film doesn't work and there's none of that DVD revenue to fall back on and you can lose a huge, huge sum of money on a big budget movie.
thinking tvs film
Oh, IMDB, yeah; there's a few things on there that are TV, they're not film, some things they think we did that we didn't. There's a few inaccuracies in there. It's terrifying though, isn't it?
games london film
Something like small English films were in vogue you had something like The Crying Game and everyone piled into London and wanted to make small English movies.
good producers yes
Do we have good writers, producers and actors in the U.K.? Yes we do.
ken leigh mike movies people
Mike Leigh and Ken Loach are the people I look up to. They are quality film-makers making interesting, controversial, ground-breaking movies with very little eye on the marketplace.
It's fantastic to see 'Les Miserables' become the top-grossing film at the U.K. box office.
agents almost anyone cent cruise knowing might per record sound time tom track
It might sound a small thing, but if you want to get Tom Cruise into your movie, without a track record or without those agents knowing you, it's almost impossible. Now I can get through to pretty much anyone I want. Of course, 90 per cent of the time they still say no.
business creative good less word
I think it would be a good thing in the creative community if there was less embarrassment of this word 'commercial' because that's how you make a business.
audience cater curtain earlier family itself time
'Billy Elliot' prides itself on being a family show, and it made sense to specifically cater to a family audience with an earlier evening curtain time.
brothers certain coen minute strength trying watch
When you watch a Coen brothers movie, it is always so certain about what it is trying to portray. That is their strength. The minute they write a word, they know how it will look on-screen. They are very purposeful, with no kind of mistakes.
genuinely regardless scripts
It is rare that you read scripts that genuinely move you and make you feel that, regardless of the commercial possibilities, you have to make the film.
next success time worrying
You never get time at Working Title, sadly, to enjoy any film's success, because you're worrying about the next lot.
force stunning tour visual
With 'Anna Karenina,' I just think it's a stunning visual tour de force for a director who is at the top of his game.