Elmore Leonard
Elmore Leonard
Elmore John Leonard, Jr.was an American novelist, short story writer, and screenwriter. His earliest novels, published in the 1950s, were Westerns, but he went on to specialize in crime fiction and suspense thrillers, many of which have been adapted into motion pictures...
NationalityAmerican
ProfessionNovelist
Date of Birth11 October 1925
CityNew Orleans, LA
CountryUnited States of America
writing thinking years
After 58 years you'd think writing would get easier. It doesn't. If you're lucky, you become harder to please. That's all right, it's still a pleasure.
reading writing years
There are some people who have been reading me for years, and they keep saying kind things about the writing. That's what you're writing for, to get people to respond to it.
anyone attitude avoid describe describing developing good point revealed stay view
When you are developing your style, you avoid weaknesses. I am not good at describing things, so I stay away from it. And if anyone is going to describe anything at all, it's going to be from the point of view of the character, because then I can use his voice, and his attitude will be revealed in the way he describes what he sees.
Writers - all writers, even screenwriters - like to make their mark. I don't think many screenwriters can write. They pass as writers.
cracked gets messed
Writing on the beach is not what it's cracked up to be. The sand blows, and you perspire, and the page gets all blotty and messed up, so I don't do that anymore.
catch keeps prose rewrite trying work
I really - I don't take my work that seriously, and I think that's what keeps me loose. If I try to write, if I catch myself trying to write, I'll fall right on my face. I'll see it. If I see in the prose that I'm - 'Boy, look at me writing,' I rewrite it. I rewrite it because I don't, because I think it's distracting.
leave parts people
I leave out the parts that people skip.
begin near
I never know what I'm going to write next. If I'm still writing the book but I'm very near the end, and I begin to think of what I'd like to do next, then I'll know that what I'm writing is in hand. I'll think of an ending and it will be fine.
ask money people satisfying soon
People ask me, 'Why are you still writing books?' Like I'm still only writing to make money and as soon as I have enough I'll quit and go fishing? I like to write books. It's the most satisfying thing I do.
business cross dialogue experience half maybe satisfying studio work written
Writing screenplays is not my business. I've written half a dozen, and maybe half of those were made. But it was never a satisfying experience. It was just work. You're an employee. You would be told what to do. Studio execs would cross out my dialogue and put in their dialogue.
copy funny humor occurred perhaps sudden written
I would say just start writing. You've got to write every day. Copy someone that you like if you think that perhaps could become your sound, too. I did that with Hemingway, and I thought I was writing just like Hemingway. Then all of a sudden it occurred to me - he didn't have a sense of humor. I don't know anything he's written that's funny.
appeals female front goes hip picture shotgun
When I get an idea for a book, something appeals to me, it's usually a character. I'll see a picture of a female marshal in front of the courthouse in Miami and she's got a shotgun on her hip and it goes up on an angle. And she's good-looking. And I say, 'I've got to use her.'
bang buy electric took
It took me 20 years to buy an electric typewriter, because I was afraid it would be too sensitive. I like to bang the keys. I'm doing action stories, so that's the way I like to do it.
decided paid pulp terrific westerns
I decided to write Westerns because there was a terrific market for Westerns in the '50s. There were a lot of pulp magazines, like 'Dime Western' and '10 Story Western' that were still being published. The better ones paid two cents a word. And I thought, 'I like Westerns.'