Edward Albee
Edward Albee
Edward Franklin Albee IIIis an American playwright known for works such as The Zoo Story, The Sandbox, and Who's Afraid of Virginia Woolf?. His works are often considered as well-crafted, realistic examinations of the modern condition. His early works reflect a mastery and Americanization of the Theatre of the Absurd that found its peak in works by European playwrights such as Samuel Beckett, Eugène Ionesco, and Jean Genet. Younger American playwrights, such as Paula Vogel, credit Albee's daring mix of...
NationalityAmerican
ProfessionPlaywright
Date of Birth12 March 1928
CountryUnited States of America
I don't like symbolism that hits you over the head. A symbol should not be a cymbal.
The only time I'll get good reviews is if I kill myself.
The most profound indication of social malignancy ... no sense of humor. None of the monoliths could take a joke.
Very few people who met my adoptive mother in the last 20 years of her life could abide her, while many people who have seen my play find her fascinating. Heavens, what have I done?!
Your source material is the people you know, not those you don't know, but every character is an extension of the author's own personality.
Do you know what a playwright is? A playwright is someone who lets his guts hang out on the stage.
I stopped acting when I was about nineteen, twenty, when I got thrown out of college. I did act for about ten years. I don't know. I suspect I'm still a reasonably good actor, but I don't really know that I want to get on the stage again ... and having to say all those boring words by me over and over again ... I don't know if I want to do that. Also, I like a certain amount of freedom of movement, and if you're acting, you're stuck in one place for a long time. Having said that, I will probably be onstage next fall.
When people can't abide things as they are, when they can't abide the present, they do one of two things ... either they ... either they turn to a contemplation of the past ... or they set about to ... alter the future. And when you want to change something ... YOU BANG! BANG! BANG! BANG!
Usually, the way I write is to sit down at a typewriter after that year or so of what passes for thinking, and I write a first draft quite rapidly. Read it over. Make a few pencil corrections, where I think I've got the rhythms wrong in the speeches, for example, and then retype the whole thing. And in the retyping I discover that maybe one or two more speeches will come in. One or two more things will happen, but not much.
A writer is a controlled schizophrenic.
I am a Doctor. A.B... M.A... PH.D... ABMAPHID! Abmaphid has been variously described as a wasting disease of the frontal lobes, and as a wonder drug. It is actually both.
Unless you are terribly, terribly careful, you run the danger-- without even knowing it is happening to you-- of slipping into the fatal error of reflecting the public taste instead of creating it. Your responsibility is to the public consciousness, not to the public view of itself.
True, I don't begin with an idea for a play - a thesis, in other words, to construct the play around. But I know a good deal about the nature of the characters. I know a great deal about their environment. And I more or less know what is going to happen in the play.
The avant-garde theater is fun; it is free-wheeling, bold, iconoclastic, and often wildly, wildly funny. If you will approach it with childlike innocence -- putting your standard responses aside, for they do not apply -- if you will approach it on its own terms, I think you will be in for a liberating surprise. I think you may no longer be content with plays that you can't remember halfway down the block.