Dustin Kensrue
Dustin Kensrue
Dustin Michael Kensrueis a vocalist, lyricist, and rhythm guitarist in the Orange County, California post-hardcore/experimental rock quartet Thrice, as well as a solo artist...
literal random ways
We don't know what we are going to do with this. It's really random with all the ways that we're thinking. Some are very literal and some are very non-literal, but we have no idea where we're going right now.
act next reminder
This next song, hopefully, will act as a reminder for you guys,
bands contrived feeling feels few found good labeled middle music musically ourselves respected saying somehow surrounds
It feels like there was a really, in some ways, kind of fashiony, contrived feeling that surrounds that scene. We always kind of were going around saying we're writing the music we wanted to be writing and somehow found ourselves in the middle of that. There were very few bands that were labeled that way that we really respected musically or were good friends with.
bands beginning felt guess heart labeled
We were uncomfortable with it from the beginning because we felt like we were, I guess our heart was in a different place than all of those other bands that we were being labeled that,
choose couple hard headline hoping pick played songs tour
I'm hoping to play some of the songs that we didn't get to play on the headline tour we just did. I think we really want to play all the songs on the new record. It's hard to choose between them, but I think we'll pick a couple that we haven't played live so far.
attention boundaries clear context paying step
We so wanted to step out to something different that we made it clear to each other there were no boundaries for that. We were really just writing very uninhibitedly, but also not at all paying any attention to any context of who we were as a band, which I think was really good.
felt home record time
Writing this record was the first time we felt really at home in a long time,
came children city coming details felt helping lost sat sort stealing stolen surreal together until
I sat down with Gerard and we brainstormed, and the children being stolen started coming in as a motif, so we started stealing some of the aesthetics from 'The City of Lost Children' sort of that surreal atmosphere. The Watchers and the resistance, that was always in my head, but it got more refined. Gerard was helping me get the details down so it would feel right. It came together after that. We just started honing it until it felt like it was all working.
realized
In the end, we realized we had to go with our gut,